{"title":"Shop by Publisher - Niyogi Books","description":"","products":[{"product_id":"the-mahabharata-mewari-miniature-paintings-1680-1698","title":"The Mahabharata Mewari Miniature Paintings 1680-1698","description":"\u003cp\u003e • Author(s): Alok Bhalla\u003cbr\u003e • Publisher: Niyogi Books\u003cbr\u003e • Publisher Imprint: NiyogiBook\u003cbr\u003e • Subject: Fine Arts\u003cbr\u003e • BISAC: Asian - Indian \u0026amp; South Asian\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e• Showcases nearly 2000 never-before published miniature paintings of the Mahabharata by Allah Baksh, from late 17th century Mewar\u003c\/p\u003e\n\n\u003cp\u003e• Features fine translations of the Mahabharata from Mewari into Hindi by Chandra Prakash Deval and English commentary by Alok Bhalla\u003c\/p\u003e\n\n\u003cp\u003e• Insightful introductions by Alok Bhalla on each of the parvas, provide a comprehensive understanding of this great Indian epic\u003c\/p\u003e\n\n\u003cp\u003eAllah Baksh’s magnificent miniature paintings of Vyasa’s great epic, The Mahabharata, were commissioned by Udaipur’s Maharana Jai Singh, and painted between 1680 and 1698. The selection of nearly 2000 paintings, published in four volumes, are from a folio of more than 4000 extant works illuminating the Mahabharata. The fifth volume of 500 paintings devoted to the Gita, has already been published. These radiant miniatures, which follow almost every story in every chapter of the Mahabharata, have no precedent in India’s art tradition. The emphasis in these paintings is not on heroic posturing and spiritual pride, but on the pain that the earth and its creatures endure when human beings tragically fail to fulfill their dharma. The images in the paintings are symbolically charged, their colors are clear and luminous, their lines are restrained and precise. Allah Baksh’s art of visionary thoughtfulness deserves an honored place in the great library of Indian scriptures and their visual interpretations. Introductions to the parvas illuminated in these four volumes offer reflections on the moral resonance of the stories, as they reveal the fate of a civilization from its divine beginning to its fateful destruction. The Hindi translation of the Mewari text in the colophons, describing the story being illustrated, furthers our understanding of the history of cultural exchange between the different religions, regions and languages of India. Comments on the paintings in English enable the reader to decode the images and follow the narrative grandeur of this great Indian epic.\u003c\/p\u003e","brand":"Niyogi Books","offers":[{"title":"Hardcover","offer_id":44951818338455,"sku":"9788196405359","price":7800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/3471\/1191\/files\/9788196405359.webp?v=1769200347"},{"product_id":"shringara-and-bhakti-sacred-and-profane-love-at-the-court-of-orchha","title":"Shringara And Bhakti: Sacred And Profane Love At The Court Of Orchha","description":"\u003cp\u003e • Author(s): Konrad Seitz\u003cbr\u003e • Publisher: Niyogi Books\u003cbr\u003e • Publisher Imprint: NiyogiBook\u003cbr\u003e • Subject: Religion and Philosophy\u003cbr\u003e • BISAC: Techniques - Painting - General\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e• Offers an in-depth look at Orchha painting from 1605 to 1675\u003c\/p\u003e\n\n\u003cp\u003e• Explains the concepts of love for the divine (bhakti), and the love between Krishna and Radha (shringara)\u003c\/p\u003e\n\n\u003cp\u003e• Exquisite images of about 170 traditional Indian paintings enhance the visual appeal of the book\u003c\/p\u003e\n\n\u003cp\u003eThis lavishly illustrated book, the second volume in the series Orchha,Datia, Panna: Miniatures from the Royal Courts of Bundelkhand (1590–1850),deals with the second and third periods of Orchha painting, which span the years 1605 through 1675. A central theme of the paintings presented in this volume is the love between the archetypal couple Krishna and Radha, which is both mystical-religious and secular-playful in nature. Indeed, it is the confluence of sacred and profane love that gives India’s culture and art its unique spirit. The images were created to illustrate poetic works such as the Rasikapriya, whose author, the Orchha court poet Keshavdas, invites his readers to savor the aesthetic and religious delight of Radha-Krishna love through his riti lyrics in the vernacular language of his era. Through stylistic analyzes and interpretations of over 100 paintings from his collection, many of them published here for the first time, the author brings to light the accomplishments of the Orchha school during its heyday in the seventeenth century.\u003c\/p\u003e","brand":"Niyogi Books","offers":[{"title":"Hardcover","offer_id":44951818371223,"sku":"9788119626007","price":2925.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/3471\/1191\/files\/9788119626007.webp?v=1769200349"},{"product_id":"floor-coverings-from-kashmir-kaleen-carpets-namdah-gabba-ari-rugs-and-wagoo-mats","title":"Floor Coverings from Kashmir: Kaleen Carpets, Namdah, Gabba, Ari Rugs and Wagoo Mats","description":"\u003cp\u003e • Author(s): Promil Pande\u003cbr\u003e • Publisher: Niyogi Books\u003cbr\u003e • Publisher Imprint: NiyogiBook\u003cbr\u003e • Subject: General Books\u003cbr\u003e • BISAC: Subjects \u0026amp; Themes - General\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e• An in-depth, researched study on the handwoven floor coverings of Kashmir\u003c\/p\u003e\n\n\u003cp\u003e• Comprehensively covers the history, production methods and special features of this handicraft\u003c\/p\u003e\n\n\u003cp\u003eThis book focuses on the floor covering traditions of Kashmir, one of the two distinct regions that constitute the Union territory of Jammu and Kashmir. Kashmir has been historically famous as a producer of the world-renowned and esteemed pashmina shawl. However, the region also produces a variety of floor coverings that are an essential part of its households and its handicraft industry. The variety of floor coverings produced differs in design, their mode of production, the raw material used and the region of production. Kaleen-weaving is a long-standing tradition, dating back to over 600 years, while floor coverings such as the wagoo mats trace their antiquity to the Indus Valley Civilization. This book intends to serve as a lasting narrative of the rich material culture of the Kashmir region. It identifies significant cultural units in design to showcase the age-old craft traditions in production that are integral to regional tangible and intangible cultural practices. It enables an understanding of the cultural context of Kashmir that has a strong influence on the production of floor coverings, lending a unique identity to its kaleen, which is otherwise often associated with Persian carpets. The author has used descriptive, thematic and ethnographic modes of analysis to highlight instances of carpet-weaving traditions that resonate distinctly with Kashmir. Well-researched and richly illustrated, the book will appeal to those interested in textiles, carpets and indigenous tangible and intangible cultures and craft traditions.\u003c\/p\u003e","brand":"Niyogi Books","offers":[{"title":"Hardcover","offer_id":44951818895511,"sku":"9788196405342","price":1625.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/3471\/1191\/files\/9788196405342.webp?v=1769200350"},{"product_id":"colours-of-devotion-the-legendary-paintings-and-textiles-of-the-vallabha-sampradaya-1500-1900","title":"Colours of Devotion: The Legendary Paintings and Textiles of the Vallabha Sampradaya, 1500-1900","description":"\u003cp\u003e • Author(s): Anita Bharat Shah\u003cbr\u003e • Publisher: Niyogi Books\u003cbr\u003e • Publisher Imprint: NiyogiBook\u003cbr\u003e • Subject: Religion and Philosophy\u003cbr\u003e • BISAC: Subjects \u0026amp; Themes - Religious\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e• Explains the philosophical concepts of Shri Vallabhacharya and how these were expressed in beautiful artworks\u003c\/p\u003e\n\n\u003cp\u003e• Describes the history of the Pushti Marg faith and the role of some of its prominent members\u003c\/p\u003e\n\n\u003cp\u003e• Features stunning images of paintings, pichvais and artefacts created for personal worship and the shrines of the deity, Shrinathji\u003c\/p\u003e\n\n\u003cp\u003eIndian art is deeply inspired by philosophical and religious thought. In this original and extensively researched work, the author explores the history of the Pushti Marg community. She explains the spiritual beliefs as laid down by the saint and founder Shri Vallabhacharya, which inspired the art that was created for use in the religious practices of the Vallabha Sampradaya. This book first delves into the core of Pushti Marg — Vallabhacharya’s philosophy and theology of Shrinathji (a form of Krishna); secondly, it explores how his system of beliefs was expressed in an organized religion and rituals that resulted in the production of sacred objects, mainly paintings, pichvais and shrine textiles. Finally it discusses the influence of Pushti Marg on the social and cultural aspects that carried these traditions forward. While doing so, the book showcases many rare paintings and textiles created for the personal and public shrines of the faith. The book reveals the provenance of the most important pre-Mughal manuscript, Palam Dispersed Bhagavad Puran, and that of Golden and Kalamkari pichvais. The fact that many of the beautiful artefacts, depicting aspects of the worship of Shrinathji, were created by Muslim artisans is a remarkable example of the syncretic culture of India. The author has analyzed the influence of the Vallabha Sampradaya on Indian paintings in minute detail. As a member of a family that has devotedly followed the tenets of Pushti Marg across many generations, she is uniquely placed to offer an insider’s view of its philosophy, an in-depth understanding of its practices, and a museologist’s perspective on the exquisite artefacts inspired by this faith, which are now displayed in collections worldwide.\u003c\/p\u003e","brand":"Niyogi Books","offers":[{"title":"Hardcover","offer_id":44951819092119,"sku":"9789391125899","price":2925.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/3471\/1191\/files\/9789391125899.webp?v=1769200348"},{"product_id":"why-is-new-years-day-on-1st-january","title":"Why is New Year's Day on 1st January?","description":"\u003cp\u003e • Author(s): Nirmal Kanti Bhattacharjee\u003cbr\u003e • Publisher: Niyogi Books\u003cbr\u003e • Publisher Imprint: NiyogiBook\u003cbr\u003e • Subject: Children Books\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eWhat’s so special about 1st January, anyway? Why do we do countdowns and have fireworks on 31st December every year? For that matter, how come the whole world welcomes New Year’s Day on the same day? OR DOES IT?\u003c\/p\u003e\n\n\u003cp\u003eFind answers to the mysteries of calendars and dates hidden within the pages of this book. Take a trip around the world to figure out how similar or how different ideas of time can be. Along the way, take a dip into the deep universe of astronomy to understand why we celebrate New Year’s Day on 1st January. Scan the QR codes to find extra exciting facts and videos!\u003c\/p\u003e\n\n\u003cp\u003eAbout the Author: Nirmal Kanti Bhattacharjee has spent half his career as a teacher in universities across India, and the other half as a cultural administrator. A professional wordsmith, he enjoys tossing stories from one language to another and concocting delicious word salads that bring to readers flavours from different lands. When not writing, translating or editing, NKB likes to whip up a storm on the chessboard, and when he cannot find opponents to play with, he picks up a backpack and goes travelling.\u003c\/p\u003e\n\n\u003cp\u003eAbout the Illustrator: Shreya is an artist, who loves nothing more than bringing stories to life with her vibrant art. Her favorite word is ‘reverie’, meaning daydream, so she is always drawn toward textures and colours. When she is not busy daydreaming, Shreya is constantly making new things. Her work is like a caterpillar, always transforming into something new and exciting.\u003c\/p\u003e","brand":"Niyogi Books","offers":[{"title":"Hardcover","offer_id":44951821582487,"sku":"9789389136845","price":293.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/3471\/1191\/files\/9789389136845.webp?v=1769200349"},{"product_id":"the-life-and-times-of-david-hare-first-secular-educationist-of-india","title":"The Life and Times of David Hare: First Secular Educationist of India","description":"\u003cp\u003e • Author(s): Sarojesh Mukherjee\u003cbr\u003e • Publisher: Niyogi Books\u003cbr\u003e • Publisher Imprint: NiyogiBook\u003cbr\u003e • Subject: History\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis is the remarkable story of a Scotsman who arrived in Calcutta in 1801 to make a living as a watchmaker but remained in the city, having dedicated his life to the cause of upliftment of Indians through modern education. 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The vision and approach of these two cousins, both masters of modernism, helped Chandigarh emerge as a beautiful, planned city. Over the years, however, it has been Le Corbusier who has been largely talked about and, unfortunately, Pierre Jeanneret’s amazing contribution in shaping this city remained unknown. It is this gap that the book Pierre Jeanneret and Chandigarh aims to fill. For the author, Le Corbusier was the dreamer and Pierre Jeanneret was the implementer and it is their partnership that created the ‘City Beautiful’, as Chandigarh is known. Pierre Jeanneret designed housing for government employees and buildings for health and education services, including the sprawling Panjab University campus. He arrived in India in 1951 and left Chandigarh in 1965, with the expressed desire that his ashes be submerged in Sukhna Lake, as he wanted to stay with his creation even after his death. 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When he isn’t chewing on food history or food stories, Sadaf likes to write and speak about culture and myth busting.\u003c\/p\u003e\n\n\u003cp\u003eThis children’s book by him contains a heartwarming story and a recipe perfect for young bunnies and humans alike.\u003c\/p\u003e","brand":"Niyogi Books","offers":[{"title":"Paperback","offer_id":44951847698583,"sku":"9788196405311","price":163.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/3471\/1191\/files\/9788196405311.webp?v=1769200368"},{"product_id":"the-umbrella-who-was-scared-of-the-rain","title":"The Umbrella who was Scared of the Rain","description":"\u003cp\u003e • Author(s): Günes Bloedorn\u003cbr\u003e • Publisher: Niyogi Books\u003cbr\u003e • Publisher Imprint: NiyogiBook\u003cbr\u003e • Subject: Children Books\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDid you know there once was an umbrella who was afraid of the rain? His name is Oli, and this is his story… Oli was able to overcome his fear and become a friend of the rain. Sometimes, when we run away from our fears, by coincidence, we open the door of courage.\u003c\/p\u003e\n\n\u003cp\u003eWritten and illustrated with handcrafted collages, The Umbrella who was Scared of the Rain, reminds us that when ordinary persons take small steps, they can become heroes\u003c\/p\u003e\n\n\u003cp\u003eAbout the Author and Illustrator: Güneş Bloedorn studied public relations and advertising at Gazi University in Ankara, Turkey. She took lessons in graphic design and studied art. She has had two exhibitions of her work in Turkey. She moved to the United States and volunteered at the Walters Art Gallery in Baltimore and Avant Garde Art Gallery in Washington, D.C. After returning to Turkey, she created the illustrations for a children’s activity book. 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My Mother Left Her Mind Behind!","description":"\u003cp\u003e • Author(s): Özge Bahar Sunar\u003cbr\u003e • Publisher: Niyogi Books\u003cbr\u003e • Publisher Imprint: NiyogiBook\u003cbr\u003e • Subject: Children Books\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHelp! My Mother Left Her Mind Behind tells the tale of a little boy called Memo, who is feeling unwell one day. His mother has an important meeting at her office and can’t miss it, but she feels awful about leaving Memo at home. His father stays home to take care of Memo, while his mother goes to work. As she leaves Memo, she kisses his forehead and says, ‘I can’t get my mind off you…’\u003c\/p\u003e\n\n\u003cp\u003eMemo believes that his mother has left her mind behind, with him! He wonders, ‘How will she find her way back home?’ Memo feels he needs to return his mother’s mind to her and enlists the help of his friend, Spider, in this task. Just as Memo’s mother kissed him on the forehead, he kisses Spider and asks it to give his mother’s mind back to her. Spider builds a web all the way to the office of Memo’s mother. Does Spider succeed in kissing Memo’s mother and giving her back her mind?\u003c\/p\u003e\n\n\u003cp\u003eAbout the Author: Özge Bahar Sunar is a full-time author, who previously worked as a teacher. Her first book was published in 2017 and since then her books have been translated into more than ten languages. Her picture book Dancing with the Rain received an Award of Excellence by Communication Arts 2019 and was selected for the IBBY Collection for Young People with Disabilities. The English translation of her picture book My Grandma's Photos was published by Amazon Crossing Kids and chosen by the Goodreads 2022 Best Children's Book Selection. She lives in Antalya with her two children. 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