Rudyard Kipling

Gerard Manley Hopkins did not Write his poetry for his kiln Victorians nor indeed for the huge readership it ha, acquired since it WO% first published in 1918, almost lorry years after his death. The present study argues that Hopkins' fascinatingly original poetry is the most complete expression of his life's work and that it becomes accessible when it is read with his prose writings as a passionate exploration of nature, language, philosophy, contemporary science. theology, and prosody, all of which are also drawn together in his central ideas of 'inscape' and 'Sprung Rhythm. These contexts yield compelling new readings of the full range of his work, including his early poetry and his neglected poetic fragments, as well as these poems, such as 'The Windhover, by which hr is best known. A final chapter steps back train the intensely private contexts in which the poetry was produced to examine its interactions with social issues of class and gender.
About the Author

Daniel Brown is Associate Professor of English at the University of Western Australia. lie is also Associate Professor at the Free International University, Amsterdam. His publications include: Hopkins’ Idealism Philosophy. Physics. Poetry 1997) (with Hilary Fraser English Prose of the Nineteenth Century (1997) 'Science and Poetry', in Joseph Bristow (ed.), The Cambridge Companion to Victorian Poetry (2000). "