Jallianwala Bagh massacre, the butchering of unarmed innocents, is a historic event that haunts the human mind even after the lapse of a century. 1650 rounds fired in a matter of ten minutes, the blocking of exits, preventing help reaching the injured are all acts of unmitigated bestiality. Through a selection of prose and poetry – The direct outcome of this horrific event and an introduction that traces the history of events leading to the massacre – Rakhshanda Jalil, a literary historian and translator from Urdu and Hindi, attempts to open a window into the world of possibilities that literature offers to reflect, interpret and analyse events of momentous historical import. The selection offers ways of ‘seeing’ history, of exploring how an incident that stirred the conscience of millions, one that had far-reaching implications for the National freedom struggle and British rule, found its way through pen and Paper to reach the nooks and crannies of popular imagination filtered through the mind of the creative writer. The stalwarts and acknowledged doyens of Indian literature featured in this volume include Saadat Hasan Manto, Mulk Raj Anand, Krishna Chander, Abdullah Hussein, Bhisham Sahni, Ghulam Abbas, subadhra Kumari Chauhan, Sarojini Naidu, sohan Singh Misha, Muhammad Iqbal, Josh malihabadi, Nanak Singh, to name a few. A collection that can pave the way for further research.
Rakhshanda Jalil is a writer, critic and literary historian. Her book on the lesser-known monuments of Delhi, Invisible City, continues to be a bestseller. Her recent works include: Liking Progress, Loving Change: A Literary History of the Progressive Writers Movement in Urdu; A biography of Urdu feminist writer Dr Rashid Jahan A Rebel and her Cause; A translation of Intizar Husain’s seminal novel on Karachi, the Sea Lies Ahead; Pigeons of the Domes: Stories on Communalism, Krishna Chander’s Partition novel Traitor and most recently a biography of the Urdu poet Shahryar: A Life in Poetry and a collection of stories entitled Preeto and Other Stories: The Male Gaze in Urdu. She runs an organisation called Hindustani Awaaz, devoted to the popularisation of Hindi-Urdu literature and culture.