Beaux-Arts Et Représentation Nationale: La Participation Des Artistes Suisses Aux Expositions Universelles de Paris (1855-1900)
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Les représentations nationales, les identités artistiques et les échanges culturels internationaux sont au coeur de ce livre. A l'occasion de chacune des cinq expositions universelles organisées à Paris dans la seconde moitié du XIXe siècle (1855, 1867, 1878, 1889 et 1900), l'auteur envisage la France et la Suisse dans leur position respective de nation invitante et de nation invitée. Etat mineur sur l'échiquier culturel et politique de l'Europe à cette époque, la Suisse représente un cas marqué d'allégeance à l'égard de la scène et des institutions artistiques parisiennes, qui donnent le ton et opèrent comme modèles et instances de légitimation internationale. Les participations helvétiques mettent en évidence des questions qui concernent alors tous les pays européens: l'enrôlement de l'art au service des identités nationales, l'investissement culturel des Etats, la concurrence des modèles politiques, les rapports de pouvoir entre centre et périphérie, l'essor du marché privé de l'art ou encore l'affirmation de la modernité artistique. Grâce à la perspective large qu'il a adoptée pour son sujet, l'auteur propose un modèle stimulant pour l'étude, encore embryonnaire aujourd'hui, des participations nationales aux manifestations culturelles internationales.
L'auteur: Pascal Ruedin est né en 1963 à Sierre. Historien de l'art, il est spécialisé dans la peinture des 19e et 20e siècles en Suisse, domaine auquel il a consacré plusieurs livres, catalogues et articles, ainsi que sa thèse de doctorat. Assistant-enseignant à l'Université de Neuchâtel de 1992 à 1997, il dirige depuis 1998 le Musée d'art du Valais à Sion.
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