Diesseits Und Jenseits in Der Kunst Von Außenseitern Und Spiritisten
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Im Vordergrund der Darstellung stehen Bilder und ästhetische Objekte von Au enseitern und Spiritisten. Ein Schwerpunkt der Untersuchung liegt dabei auf den Bildern und Photographien, die in der letzten gro en Welle spiritistischer Aktivitäten um 1850 entstanden sind. Sie ging von Amerika aus und erfasste bald auch England, Frankreich und Deutschland (und lebt heute noch in Geisterfilmen o.ä. weiter). Diese Darstellung ist eingebettet in die Jenseitsforschung und deren Bilder und Traktate, die sich seit den Klecksographien von Justinus Kerner und den spiritistisch inspirierten Bildern von Victor Hugo entwickelt haben. Besonders interessant ist dabei, dass auch akademisch ausgebildete Künstler um die Wende zum 20. Jahrhundert die Botschaften aus dem Jenseits in Kunstwerken erfassen wollten. Die Geschichte dieser Darstellungen von einer anderen Welt wird dann auf die Thesen von Franz Anton Mesmer und die Eingebungen von Emanuel Swedenborg zurückgeführt. Besonders deutlich soll der Einfluss Swedenborgs auf die vielgestaltigen spiritistischen Zirkel in Amerika und England herausgestellt werden. Au enseiter sind auf mannigfaltige Weise an dieser Entwicklung beteiligt. So wie die Übergänge von der Kunst zur mediumistischen Bildnerei flie end sind, so flie end sind die Übergänge von self-taught-Bildnern zu psychisch gestörten und hospitalisierten Persönlichkeiten.
Der Autor: Hans-Günther Richter, geboren 1933; Studium an der Kunstakademie Düsseldorf, der Germanistik an der Universität zu Köln, der Pädagogik, Psychologie und Kunstgeschichte an der Universität Bonn; seit 1968 im Hochschuldienst, zuletzt als Professor für Heilpädagogische Kunsterziehung/Kunsttherapie an der Universität zu Köln; Verfasser von Büchern über Kinderzeichnung, Zeichnungen gestörter und geistig behinderter Heranwachsender und psychisch gestörter Menschen.
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