Heurs Et Malheurs Du Portrait Dans La France Du Xviie Siècle
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Le portrait est sans conteste le genre artistique le plus f�cond du d�but des Temps modernes. Dans la France du XVIIe si�cle, qui se distingue par une mobilit� sociale inconnue jusqu'alors, le portrait permet pr�cis�ment d'appuyer la revendication d'un nouveau statut social ou d'assurer un rang acquis, mais d�sormais remis en question. Le portrait se fait �galement l'�cho de la discussion capitale concernant le rapport entre le corps et l'�me. Pourtant, les sources �crites parvenues jusqu'� nous, qui s'int�ressent au portrait, sont �tonnamment parcimonieuses. L'Acad�mie royale de peinture et de sculpture fond�e en 1648, en particulier, est presque totalement muette � ce sujet. Et ce, bien que nombre de ses membres gagnent leur vie comme portraitistes et que le genre voie son importance s'accro�tre au cours du Grand Si�cle: les portraits se multiplient, tandis que leur prix augmente constamment. Il semble que l'Acad�mie ait sciemment pass� sous silence le portrait et les d�bats aff�rents, afin de mieux c�l�brer comme sa v�ritable mission la peinture d'histoire, sur laquelle l'institution nous a laiss� d'innombrables t�moignages. La pr�sente �tude reconstitue les discours autour du portrait dans la France du XVIIe si�cle et d�voile une discussion d'une vivacit� surprenante, o� d'aucuns se sont m�me demand� si le portrait ne m�ritait pas - plut�t que la peinture d'histoire - d'occuper la premi�re place dans la hi�rarchie des genres.
Kirchner, Thomas: - Thomas Kirchner est directeur du Centre allemand d'histoire de l'art Paris depuis février 2014. Il est membre de nombreux comités scientifiques. Ses recherches portent principalement sur l'art français du XVIIe au XIXe siècle et sur l'art après la Seconde Guerre mondiale.
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