Kunst und Architektur in der ersten Hälfte des 20. Jahrhunderts: Modernismus, Innovation und der Aufstieg einer neuen Ästhetik
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Die Erfindungen in der Technik, neue Erkenntnisse in den Naturwissenschaften und vor allem auch die Auslotung der Tiefen des Bewusstseins und Unterbewusstseins lie en K�nstler zu Entdeckern und Erfindern neuer Modelle des Sehens und Kommunizierens werden. Kunst erhielt im 20. Jahrhundert eine eigene Dimension des Seins, f�hrte in die psychischen und spirituellen Tiefen des Erlebens und Erkennens. "Wir haben das Bestreben nach etwas, was wahrer ist als blo es Sehen, man mu die Welt der Energie schaffen, die man nicht sieht." Dieser Ausspruch des Malers Raoul Dufy signalisiert den Aufbruch im 20. Jahrhundert, als K�nstler begannen, die dynamische Durchdringung und die subtile Vernetzung allen Seins ins Bild zu setzen. Die Kubisten zersplitterten erstmals die Formen, machten diese von allen Seiten her ein- und ansehbar. Die Gleichzeitigkeit von Orten und Zeiten sowie die Dynamisierung der Formen verbildlichten erstmals die Futuristen. Franz Marc suchte den organischen Rhythmus aller Dinge, suchte sich pantheistisch einzuf�hlen in das "Zittern und Rinnen des Blutes in der Natur". Das Bekenntnis zum Geistigen in der Kunst, die Suche nach Unendlichkeit und kosmischer Energie wurden f�r Wassily Kandinsky die Grundlage, zur Ungegenst�ndlichkeit vorzudringen, ebenso wie f�r Piet Mondrian. Kasimir Malewitsch fand auf einer h�heren Bewusstseinsebene zur "reinen Malerei". Die Architektur in der ersten H�lfte des 20. Jahrhunderts berichtet von der Erfolgsgeschichte genialer Baumeister, von deren st�dtebaulichen Visionen und technischen Innovationen.
Eimert, Dorothea: - Seit vielen Jahren leitet Dr. Dorothea Eimert das Leopold-Hoesch-Museum in Düren, Deutschland. Nach ihrem Studium der Kunstgeschichte, Musikwissenschaft, Archäologie und Phonetik spezialisierte sie sich auf die Kunst des 20. Jahrhunderts. Sie veröffentlichte umfangreich zu vielen Themen wie Expressionismus, Futurismus, Neue Sachlichkeit, Konkrete Kunst, Papierkunst und zeitgenössische Kunst.
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