Kunst Und Religion
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Bilder sind aus der Vorstellungswelt des Christentums nicht wegzudenken. Die Bilderfrage reicht tief in die historischen, aber auch in die systematischen Wurzeln des christlichen Bekenntnisses hinab. Sie markiert zugleich eine brisante Nahtstelle zwischen christlicher Religion und europ�ischer Kultur. Die Bildtheologie geht den Valenzen des Bildes im Christentum nach, entwickelt sie als durchg�ngige theologische Perspektive und bringt sie in den Diskurs mit Kunst- und Kulturwissenschaften ein.
Das Handbuch der Bildtheologie gibt in vier B�nden eine gr�ndliche Einf�hrung in Ph�nomene, Begriffe und Geschichte des Bildes unter theologischen Gesichtspunkten. Wissenschaftler aus Theologie, Kunstgeschichte, Philosophischer �sthetik, Kultur- und Medienwissenschaften entfalten die zentralen Fragestellungen, die das Bild in theologischer Perspektive aufwirft, und umrei en die Schnittstellen zwischen theologischen, kunstwissenschaftlichen und philosophisch-�sthetischen Bild-Diskursen.
Die theologische Bilderfrage der Gegenwart ist grundlegend bestimmt durch die wechselseitige Distanz, in der sich Kunst und christliche Religion in der Moderne entwickelt haben. Erst in dieser Distanz sind Bild und Kunst der Theologie nachhaltig problematisch geworden. Der vierte Band des Handbuchs der Bildtheologie thematisiert den theologischen Zugang zu Bild und Kunst unter den Vorzeichen der Moderne. In Frage stehen die kunstgeschichtlichen Bedingungen der prek�ren Beziehung zwischen Kunst und Religion, die Grundlagen theologischer Bildkonzepte in der Moderne sowie die Relevanz dieser Konzepte in theologischen wie in interdisziplin�ren Diskursen mit Kunst-, Kulturwissenschaften und Philosophie der Gegenwart.
Band I: Bild-Konflikte
Band II: Funktionen des Bildes im Christentum
Band III: Zwischen Zeichen und Pr�senz
Band IV: Kunst und Religion
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