L'Amérique de l'autre côté du miroir: Fiction mainstream et mémoire collective du racisme aux Etats-Unis (1990-2021)
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Get Out, Hollywood, Candyman, Django Unchained... Ces films et s�ries, tr�s diff�rents, ont un point commun malgr� leur apparent manque de r�alisme, ils en disent long sur les enjeux m�moriels li�s aux tensions raciales aux �tats-Unis. On pense � tort que l'absence de r�alisme d'une oeuvre la cantonne � un simple r�le de divertissement. Et si, au contraire, la fiction pouss�e � l'extr�me �tait le meilleur moyen de v�hiculer une forme de v�rit� ?
L'histoire des �tats-Unis, diffus�e par le biais des films et s�ries de grand public, s'est fond�e sur des mythes donnant une vision mensong�re et biais�e des �v�nements. La nation s'est construite sur un r�f�rentiel blanc, au d�triment des Noirs am�ricains, cantonn�s aux repr�sentations culturelles st�r�otyp�es tout au long du xxe si�cle. L'id�ologie de la Lost Cause, le mythe de la Conqu�te de l'Ouest, la nostalgie du Sud pastoral sont autant d'�l�ments culturels qui ont cloisonn� la soci�t� de mani�re binaire.
Cet ouvrage �tudie la mani�re dont les Africains-Am�ricains, longtemps oubli�s, reprennent la parole et investissent le champ culturel mainstream � l'aube du xxie si�cle. D�s les ann�es 1990, par le bais des genres les plus populaires - horreur et fantastique en t�te -, leur exp�rience et leur r�le dans la soci�t� �tatsunienne sont mis � l'honneur. Les m�canismes esth�tiques et la libert� permis par ces genres irr�alistes sont pr�cieux pour se saisir du mat�riau historique le plus subjectif qui soit la m�moire.
Gonnet, Clara: - Clara Gonnet est diplômée d'un Master d'Histoire culturelle à l'UGA sous la direction d'Olivier Forlin et s'est spécialisée dans l'étude du lien entre culture et racisme aux États-Unis.
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