Le Sacre au féminin: Trente-trois portraits féminins à l'échelle de l'histoire 1804-1822
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Parmi les oeuvres de Jacques-Louis David, fondateur du n�o-classicisme europ�en, peintre d'histoire et peintre du genre viril, Le Sacre s'impose tant par sa taille monumentale, par les cent quatre-vingt-onze portraits en pied qui le composent que par la place centrale donn�e � la repr�sentation f�minine.
Car contre toute attente, la toile r�alis�e entre 1805 et 1807, pens�e pour faire l'histoire, ne montre pas l'autosacre de Bonaparte mais un autre moment de la c�r�monie d'investiture ayant eu lieu le 2 d�cembre 1804 � Notre-Dame: le couronnement de Jos�phine de Beauharnais-Bonaparte.
Plus encore, apr�s avoir d�tourn� le sujet de l'empereur vers son �pouse, le peintre centre le propos politique et dynastique sur les femmes de la famille imp�riale plac�es dans la nef � ses c�t�s. Soeurs et belles-soeurs de Napol�on, elles accompagnent le spectateur dans la toile.
David ajoute aux onze femmes du cercle imp�rial vingt-deux spectatrices. Les six femmes assises dans sa loge r�pondent ainsi � celles install�es dans les tribunes des courtisans et du peuple au plus haut de la cath�drale. Par cet acte audacieux, la femme, les filles et trois femmes artistes peintres dont deux furent ses �l�ves, sont immortalis�es � l'�gal des puissants.
Associ�es au moment h�ro�que du 2 d�cembre 1804 par Le Sacre, ces trente-trois femmes sont port�es � l'�chelle de l'histoire.
Arasa, Yaelle: - Yaelle Arasa, professeure agrégée, enseignante au lycée Louis-le-Grand, a été chargée de mission Histoire et mémoire pour la Délégation aux arts et à la culture de l'académie de Paris de 2011 à 2019. Elle est l'auteure de Davidiennes. Les femmes peintres de l'atelier de Jacques-Louis David, L'Harmattan, 2019.
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