Tony Conrad: Video - Und Darueber Hinaus
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Der US-amerikanische Künstler Anthony (Tony) Conrad (*1940) ist seit über 50 Jahren eine feste Grö e im Kunstbetrieb. Gefeiert als Musiker, Filmemacher, Video- und Performance-Künstler gelingt sein Durchbruch 1966 mit dem Experimentalfilm The Flicker . Neben den Filmarbeiten (inkl. Yellow Movies ) finden die sogenannten String Performances (Solovioline) gro e Anerkennung. Sie erinnern an das Theatre of Eternal Music (1962-1967) und wurden von namhaften Autoren aufgearbeitet.
Die vorliegende Monografie konzentriert sich daher auf die ca. 70 Videoarbeiten des Künstlers, die ab 1977 entstanden und noch nicht wissenschaftlich untersucht wurden. Auf die Erinnerung an Eckpunkte des künstlerischen Werdegangs (Videografischer Blick auf die Künstlervita) folgt der Übergang vom materialistischen Experimentalfilm zum videografischen Bilddenken im Umfeld der Appropriation Art (Video als letzte Aufforderung). Die Reflexion der telematischen Kultur der 1980er Jahre hinterfragt das Wechselspiel zwischen (Video-)Kunst und Gesellschaft (Video als Fernsehkritik). Das letzte Kapitel (Video im Spannungsfeld der Musik) kehrt zum Beginn der künstlerischen Karriere Tony Conrads zurück.
Die Kunstwissenschaftlerin Tabea Lurk hat nach ihrem Volontariat am ZKM (Zentrum für Kunst und Medientechnologie) Karlsruhe von 2006-2015 primär an der Hochschule der Künste in Bern geforscht und gelehrt. Seit 2015 leitet sie die Mediathek der Hochschule für Gestaltung und Kunst in Basel.
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