A fully illustrated publication to accompany the first major presentation of William Nicholson (1872- 1949) in over two decades, spanning the entire career of an extraordinarily versatile and popular artist. Defying categorisation, Nicholson sat both at the heart of the art world and apart from artistic movements of his day. In this book, his spectacular output is considered afresh, from his acclaimed prints and book illustrations to his sensitive portraits of individuals of all ages and from all groups in British society. In unrivalled still lifes to expansive landscapes, Nicholson's pictures are not simply representations of the visible world or scenes ripe with hidden symbolism; his are paintings of dazzling brushwork and exquisite colours that speak of his delight in the observation of his subjects. Exploring the premise that Nicholson's work is more complex than previous interpretations have suggested, this publication will position Nicholson's output as a product of the artist's times, as revealed by his portrayals of key figures of the British Empire and his close relationship with London's theatre world.
Distributed for Pallant House Gallery
Stephen Calloway is an art historian, curator and collector. From 1974 to 2013 he was a curator at the Victoria and Albert Museum, specialising in 19th century art and design. He has curated many exhibitions, including The Cult of Beauty (on the Aesthetic Movement) and on individual artists, such as Aubrey Beardsley, Charles Ricketts and Charles Shannon, Rex Whistler and William Nicholson and James Pryde. His books include Baroque Baroque, Twentieth-century Decoration and Aubrey Beardsley. Simon Martin is Director of Pallant House Gallery, a modern art museum in Chichester, UK. He has written numerous books, including on the artists Edward Burra, John Minton, John Piper, Colin Self and John Tunnard, and historical studies, such as Conflict and Conscience: British Artists and the Spanish Civil War and Drawn to Nature: Gilbert and White and the Artists. Miriam O'Connor Perks is Curator at Pallant House Gallery. She has contributed to publications on modern and contemporary British art. She previously worked at Towner Eastbourne. Jane Pritchard MBE is Curator of Dance for the Victoria and Albert Museum, London. She has curated exhibitions on dance, design and photography, including Diaghilev and the Golden Age of the Ballets Russes, 1909-1929. Previously she was archivist for several British companies, including Rambert, curated seasons of dance films, made radio programmes and published on dance. Patricia Reed is an independent art historian with particular interest in William Nicholson and his circle. Her catalogue raisonné of Nicholson's oil paintings was published in 2011 by Modern Art Press and Yale University Press; she is currently updating it. Melanie Vandenbrouck is a writer, art historian and Chief Curator at Pallant House Gallery. Her wide interests include the porosity between disciplines, the ways in which art and identity intersect and how modern and contemporary artists reinvent tradition. She has worked at the Courtauld Institute of Art, Royal Museums Greenwich and the V&A.
