About the Book In her landmark study Utopia in Performance: Finding Hope at the Theatre, Jill Dolan departed from historical writings on utopia, which suggest that social reorganization and the redistribution of wealth are utopian efforts, to argue instead that utopia occurs in fragmentary “utopian moments,†often found embedded within performance. While Dolan focused on the utopian performative within a theatrical context, this volume, edited by Rachel Bowditch and Pegge Vissicaro, expands her theories to encompass performance in public life from diasporic hip-hop battles, Chilean military parades, commemorative processions, Blackfoot powwows and post-Katrina Mardi Gras to the Philadelphia Mummers Parade, Festas Juninas in Brazil, the Renaissance Fairs in Arizona and neoburlesque competitions. How do these performances rehearse and enact visions of a utopic world? What can the lens of utopia and dystopia illuminate about the potential of performing bodies to transform communities, identities, values and beliefs across time? Performing Utopia not only answers these questions, but offers a diverse collection of case studies focusing on utopias, dystopias and heterotopias enacted through the performing body. About the Author Rachel Bowditch</b> is a theater director and associate professor in the School of Film, Dance and Theatre at the Herberger Institute of Design and the Arts at Arizona State University.