• ISBN13: 9781954081253
• Binding: Hardcover
• Subject: N/A
• Publisher: Goff Books
• Publisher Imprint: Goff Books
• Publication Date: June 13, 2023
• Pages: 544
• Original Price: GBP 79.95
• Language: English
• Edition: N/A
• Item Weight: 3380 grams
• BISAC Subject(s): Textile & Costume, Textiles & Costume, and Asian / Indian & South Asian

It was said that at one time Great Britain clothed the world. In the 1880s, when the British textile industry was at its most prosperous to date, much of the world's population wore clothing made from fabric produced in the mills of Lancashire. From 1910 to 1913 alone, seven billion yards of cloth were folded, stamped, labeled, and baled. Most of this output was for export--with 40 percent of it shipped to India.

To differentiate their goods, British textile manufacturers pasted illustrated paper labels known as "shipper's tickets" to the faceplate of each piece of folded cloth sold into the competitive Indian market. Designed to appeal to the local people, printed and registered in Manchester, these brightly colored images further helped to establish a company's brand. Hindu gods, native animals, scenes from the great Indian epics--the Mahabharata and Ramayana--and views of everyday life were common subjects. In a sense a form of premium, they provided the consumer with an additional incentive to buy the goods of a particular firm.

With 1,258 color illustrations organized by subject, from "Gods and Goddesses" to "Swaraj and Swadeshi," Labels of Empire begins with the late 19th-century heyday of British textile manufacturing and closes with Indian independence in 1947. By combining visual narrative, magical realism, popular culture, and history in a way never done before, this book gives an unprecedented view of the British textile industry during the time of the Raj--and its remarkably successful use of paper labels as trademarks.

Meller, Susan: - Susan Meller has been collecting and studying textiles for more than forty years. In the 1960s, she worked in the New York textile industry as a designer and strike-off artist for Riegel Textile Corporation, Dan River Mills, and other fabric converters, traveling to their mills in South Carolina and Georgia to supervise the printing of each season's line of fabrics. This early experience gave her invaluable insight into working operations that were still, in many respects, the same as those of 19th-century cotton factories. She later founded and created the Design Library, formerly in New York City and now located in Wappingers Falls, New York. With over 5 million designs, the Design Library is the largest and most extensive commercial archive of period textiles and original textile designs in the world. Susan Meller is co-author of Textile Designs: Two Hundred Years of European and American Patterns for Printed Textiles (Abrams, 1991); author of Russian Textiles: Printed Cloth for the Bazaars of Central Asia (Abrams, 2007) and Silk and Cotton: Textiles from the Central Asia that was (Abrams, 2013; La Martinière, 2013); and contributing author to Colors of the Oasis: Central Asian Ikats (The Textile Museum, 2010).