Prairies Entrelacées: Tissage, Modernismes Et Cadre Élargi (1960-2000)
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Au cours de la deuxième moitié du vingtième siècle, un foisonnement remarquable d'oeuvres textiles novatrices s'est produit dans les Prairies canadiennes. Mêlant traditions artisanales, mouvements de l'art moderne et moderniste et approches théoriques, un groupe de créateurs d'origines diverses ouvrent alors un magnifique chapitre de l'art du textile.
Prairies entrelacées, qui réunit certains des chercheurs les plus importants dans le domaine de l'artisanat au Canada, étudie les oeuvres créées par quarante-huit artistes entre les années 1960 et 2000. Ayant retrouvé et catalogué cette histoire oubliée, cet ouvrage s'intéresse tant aux artistes de la fibre qu'aux divers centres d'études et de production textile, s'attardant en particulier aux contextes de création de ces oeuvres. Chercheurs autochtones, experts des techniques textiles et des Prairies canadiennes proposent une plongée fascinante dans un mouvement artistique insuffisamment documenté jusqu'à présent.
Avec plus de cent cinquante magnifiques illustrations couleurs d'oeuvres textiles, dont un grand nombre d'entre elles n'ayant jamais été photographié, Prairies entrelacées ouvre une fenêtre sur un mouvement fascinant qui, n'ayant jamais reçu l'attention qu'il mérite, encourage la recherche dans cette riche période de l'histoire de l'art au Canada.
Poursuivant le succès de l'exposition itinérante du même nom, l'ouvrage Prairies entrelacées est une collaboration entre les Nickle Galleries de l'Université de Calgary (Alberta) et la MacKenzie Art Gallery de Regina (Saskatchewan).
Michele Hardy est conservatrice des Nickle Galleries et professeure associée au Département d'art et d'histoire de l'art de l'Université de Calgary. Elle a écrit de nombreux articles, chapitres d'ouvrages et catalogues d'exposition, et a été commissaire de plus de trois douzaines d'expositions mettant particulièrement l'accent sur l'artisanat et les textiles de l'Alberta.
Timothy Long a trente ans d'expérience à la MacKenzie Art Gallery où il est conservateur en chef. Retraçant les développements de l'art en Saskatchewan depuis les années 1960, ses projets explorent les dialogues interdisciplinaires entre art, son, céramique, film et danse contemporaine.
Julia Krueger est commissaire d'art indépendante, historienne de l'artisanat et registraire de la collection permanente de Saskatchewan Arts. Elle poursuit une carrière active en tant qu'enseignante, autrice, recherchiste et commissaire d'expositions dans les domaines de la culture matérielle et de la théorie de l'artisanat, mettant particulièrement l'accent sur l'artisanat des Prairies canadiennes.
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