Tracing Wiener Werkstätte Textiles: Viennese Textiles from the Cotsen Textile Traces Study Collection
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Wiener Werkst�tte: Textilien und Designentw�rfe
Das Buch pr�sentiert neue Forschungsergebnisse und Archivfunde zum Textil- und Modedesign der Wiener Werkst�tte (1903-1932). Textilspezialistinnen, Kunst- und Designhistorikerinnen er�ffnen Einblicke in die bedeutendsten Sammlungen und Archive in �sterreich, der Schweiz und den USA.
Die Publikation untersucht Arbeiten wenig beachteter Textilk�nstlerinnen; die Bedeutung osteurop�ischer Volkskunst, japanischer Muster und von Ornamentik-Lehrb�chern f�r Textilentw�rfe; Anwendungen in Mode, Inneneinrichtung, Film, Theater; und Marketingstrategien zur Eroberung neuer M�rkte in den USA.
Mit zahlreichen Abbildungen von Textilproben, insbesondere aus der Cotsen Textile Traces Study Collection (George Washington University Museum / Textile Museum), eine der gr� ten Sammlungen von Stoffen der Wiener Werkst�tte in den USA.
Régine Bonnefoit, doctorate in art history (University of Heidelberg, 1995) and habilitation (University of Passau, 2006); research assistant at the Département des Arts graphiques des Musée du Louvre (1992-1994); research grant at the Institute of Art History in Florence (1995-1998). Trainee at Berlin Museums (2000-2001). University assistant at the Institute of Art History at the University of Lausanne (2001-2006). After a professorship at the Swiss National Science Foundation, she was appointed full professor of contemporary art history and museology at the University of Neuchâtel. Curator and co-curator of numerous exhibitions. Research areas: Austrian and German Expressionism (Kokoschka, Kirchner, Klee); Wiener Werkstätte; Bauhaus; the Russian avant-garde.
Marie-Eve Celio-Scheurer holds a doctorate summa cum laude in history of art from La Sorbonne. She was grant recipient from the Swiss Academy of Humanities and Social Sciences and a research fellow at the German Center for Art History Paris. She lived in India, where she was a consultant for UNESCO. She worked as a scientific collaborator and co-curator at the Rietberg Museum in Zurich and held the position of guest professor at the University of Applied Sciences and Arts Western Switzerland. From 2019 to 2022, she led the Cotsen Textile Traces Study Center at The George Washington University Museum and The Textile Museum. Since December 2022, she has been heading the collection of prints and drawings at the Musée d'art et d'histoire in Geneva. Her research areas are in Art Nouveau, Wiener Werkstätte, indiennes and prints, and cultural exchanges.
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