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The Hunchback of Notre-Dame

The Hunchback of Notre-Dame

by Victor Hugo
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Book cover type: Paperback
  • ISBN13: 9788124807231
  • Binding: Paperback
  • Subject: English Literature
  • Publisher: Atlantic Publishers & Distributors (P) Ltd
  • Publisher Imprint: Peacock Books
  • Publication Date:
  • Pages: 627
  • Original Price: INR 495.0
  • Language: English
  • Edition: N/A
  • Item Weight: 430 grams
  • BISAC Subject(s): Classics, Historical / General, and Romance / General

“To be hated! to love with all the fury of one's soul; to feel that one would give for the least of her smiles, one's blood, one's vitals, one's fame, one's salvation, one's immortality and eternity.”

Set against the grandeur of medieval Paris, The Hunchback of Notre-Dame by Victor Hugo is a timeless tale of love, social injustice and tragedy. In the shadow of the majestic Notre-Dame Cathedral as a symbol, Quasimodo, a deformed bell-ringer, falls deeply in love with the beautiful Esmeralda. Caught in a web of unrequited love, jealousy and moral conflict, Quasimodo's loyalty to the innocent dancer brings him face-to-face with dark forces, including the power-hungry archdeacon Frollo. Victor Hugo's powerful novel unveils a world of passion, tragedy and the cruel injustices that define humanity."

Victor Hugo (1802–1885) was a French writer, poet, playwright and one of the most prominent figures of the Romantic literary movement. His works span a variety of genres, but he is best known for his novels Les Misérables and The Hunchback of Notre-Dame, which have become staples of world literature. Exiled after Napoleon III’s coup, he spent nearly two decades continuing to write and champion the causes he believed in. His works have been translated into various languages and adapted into plays and films. Hugo was also a political activist, advocating for democracy, republicanism and the rights of the oppressed, which was also reflected in his novels. His political involvement and passion for preserving France’s cultural heritage cemented his place as a national icon.

Noteworthy works by Victor Hugo:

  • Hans of Iceland (1820)
  • Les Misérables (1862)
  • Toilers of the Sea (1866)
  • The Man Who Laughs (1869)

  • Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ix
  • Volume I : Book First
  • Chapter I: The Grand Hall. . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
  • Chapter II: Pierre Gringoire. . . . . . . . . . . . . . . . . . . . . . . . . . . .19
  • Chapter III: Monsieur the Cardinal. . . . . . . . . . . . . . . . . . . . . .30
  • Chapter IV: Master Jacques Coppenole. . . . . . . . . . . . . . . . . . .37
  • Chapter V: Quasimodo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
  • Chapter VI: Esmeralda. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
  • Book Second
  • Chapter I: From Charybdis to Scylla. . . . . . . . . . . . . . . . . . . .61
  • Chapter II: The Place De Grève. . . . . . . . . . . . . . . . . . . . . . . . .64
  • Chapter III: Kisses for Blows. . . . . . . . . . . . . . . . . . . . . . . . . . . .67
  • Chapter IV: The Inconveniences of Following a Pretty Woman Through the Streets in the Evening. . . .78
  • Chapter V: Result of the Dangers. . . . . . . . . . . . . . . . . . . . . . .84
  • Chapter VI: The Broken Jug. . . . . . . . . . . . . . . . . . . . . . . . . . . .87
  • Chapter VII: A Bridal Night. . . . . . . . . . . . . . . . . . . . . . . . . . . .108
  • Book Third
  • Chapter I: Notre-Dame. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .121
  • Chapter II: A Bird’s-Eye View of Paris. . . . . . . . . . . . . . . . . .130
  • Book Fourth
  • Chapter I: Good Souls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .159
  • Chapter II: Claude Frollo. . . . . . . . . . . . . . . . . . . . . . . . . . . . .164
  • Chapter III: Immanis Pecoris Custos, Immanior IPSE. . . . .170
  • Chapter IV: The Dog and his Master. . . . . . . . . . . . . . . . . . . .178
  • Chapter V: More About Claude Frollo. . . . . . . . . . . . . . . . . .180
  • Chapter VI: Unpopularity. . . . . . . . . . . . . . . . . . . . . . . . . . . . .187
  • Book Fifth
  • Chapter I: Abbas Beati Martini. . . . . . . . . . . . . . . . . . . . . . .191
  • Chapter II: This Will Kill That. . . . . . . . . . . . . . . . . . . . . . . .203
  • Book Sixth
  • Chapter I: An Impartial Glance at the Ancient Magistracy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .221
  • Chapter II: The Rat-Hole. . . . . . . . . . . . . . . . . . . . . . . . . . . . .233
  • Chapter III: History of a Leavened Cake of Maize. . . . . . . . .238
  • Chapter IV: A Tear for a Drop of Water. . . . . . . . . . . . . . . . .260
  • Chapter V: End of the Story of the Cake. . . . . . . . . . . . . . . .271
  • Volume II: Book Seventh
  • Chapter I: The Danger of Confiding One’s Secret to a Goat. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .275
  • Chapter II: A Priest and a Philosopher are Two Different Things. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .291
  • Chapter III: The Bells. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .301
  • Chapter IV: Ἀnálkh. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .304
  • Chapter V: The Two Men Clothed in Black. . . . . . . . . . . . .319
  • Chapter VI: The Effect Which Seven Oaths in the Open Air can Produce. . . . . . . . . . . . . . . . . . . . . . . . . . .326
  • Chapter VII: The Mysterious Monk. . . . . . . . . . . . . . . . . . . . .332
  • Chapter VIII: The Utility of Windows Which Open on the River. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .341
  • Book Eighth
  • Chapter I: The Crown Changed into a Dry Leaf. . . . . . . . .353
  • Chapter II: Continuation of the Crown Which was Changed into a Dry Leaf. . . . . . . . . . . . . . . . . . .364
  • Chapter III: End of the Crown Which was Turned into a Dry Leaf. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .370
  • Chapter IV: Lasciate Ogni Speranza—Leave All Hope Behind Ye Who Enter Here. . . . . . . . . . . . . . . . .374
  • Chapter V: The Mother. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .390
  • Chapter VI: Three Human Hearts Differently Constructed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .395
  • Book Ninth
  • Chapter I: Delirium. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .417
  • Chapter II: Hunchbacked, One-Eyed, Lame. . . . . . . . . . . . .429
  • Chapter III: Deaf. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .434
  • Chapter IV: Earthenware and Crystal. . . . . . . . . . . . . . . . . . .438
  • Chapter V: The Key to the Red Door. . . . . . . . . . . . . . . . . .450
  • Chapter VI: Continuation of the Key to the Red Door. . . . .453
  • Book Tenth
  • Chapter I: Gringoire Has Many Good Ideas in Succession—Rue Des Bernardins. . . . . . . . . . . 459
  • Chapter II: Turn Vagabond. . . . . . . . . . . . . . . . . . . . . . . . . . .471
  • Chapter III: Long Live Mirth. . . . . . . . . . . . . . . . . . . . . . . . . .474
  • Chapter IV: An Awkward Friend. . . . . . . . . . . . . . . . . . . . . . .483
  • Chapter V: The Retreat in Which Monsieur Louis of France Says His Prayers. . . . . . . . . . . . . . . . . . . .504
  • Chapter VI: Little Sword in Pocket. . . . . . . . . . . . . . . . . . . . .538
  • Chapter VII: Chateaupers to the Rescue. . . . . . . . . . . . . . . . .540
  • Book Eleventh
  • Chapter I: The Little Shoe. . . . . . . . . . . . . . . . . . . . . . . . . . .545
  • Chapter II: The Beautiful Creature Clad in White (Dante). . . . . . . . . . . . . . . . . . . . . . . . . . . .581
  • Chapter III: The Marriage of Phoebus. . . . . . . . . . . . . . . . . . .591
  • Chapter IV: The Marriage of Quasimodo. . . . . . . . . . . . . . .593
  • Note Added to the Definitive Edition of 1832. . . . . . . . . . . . . .597

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