Cuba, el exodo del 80: Los olvidados, los marielitos y las dos orillas
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Abril de 2020. Dónde están Gilberto y Mercedes cuarenta años después de haber salido de Cuba? Él hacia Estados Unidos por el puerto del Mariel, pero ella qué suerte corrió? A qué se enfrentó Mercedes cuando junto a otros cubanos no quiso abandonar la sede diplomática y se negó a recibir un salvoconducto que le permitiría esperar en casa su salida del país? Cómo fue la travesía de Gilberto desde el puerto de Mariel a Cayo Hueso? De qué manera estos dos cubanos sortearon aquellos sucesos acaecidos entre abril y mayo de 1980 que los conminaron a emigrar y que cambiaron de manera definitiva el rumbo de sus vidas hasta ese momento de supuesta tranquilidad? Veinte años después, pudo el cineasta Manuel Herrera dar vida a los personajes de su guion sobre una historia de amor que tiene como trasfondo ese puente marítimo? Tuvo finalmente su película el financiamiento de una empresa cubano-americana, HMC Productions, cuyo director, Hugo Cancio, emigró de Cuba a Estados Unidos precisamente vía Mariel, siendo aún adolescente? Logró el escritor José Prats Sariol, publicar en Cuba su novela "Mariel" (Editorial Aldus, México, 1997) que al decir de Álvaro Mutis "es uno de esos libros exigentes por el rigor de su construcción y por la profun¬didad ejemplar de las vidas que allí respiran por su propio peso y virtud convincente"? Pensó Carlos Varela en que su tema "Foto de familia" (1995) sería icono musical de varias generaciones de cubanos separados por el capricho de la política? Imaginó el cantautor Frank Delgado que su canción "La otra orilla" (1991) simbolizaría con el tiempo esa etapa tan dolorosa que trajeron los conocidos éxodos de sus compatriotas hacia Estados Unidos? Las respuestas a tantos interrogantes las busca desde hace años el periodista y escritor Juan Carlos Roque García, autor y parte (no juez) de estas memorias compartidas.
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