3 En 1: El Antropólogo Que Llego del Frio (Carta Abierta a Miguel Taussig); Golfos, Senos Y Abras de Una Pagina de Cortázar Traducida Por Derrida; Sol
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El antropólogo que llegó del frío (Carta abierta a Miguel Taussig); Carta demasiado abierta volcada en la descarada estela argumentativa de Chamanismo, colonialismo y el hombre salvaje que el remitente hubiera querido enfrentar con un encono artesanal retorcido en el Sur de los años 80, a veces pretexto de veleidades políglotas cuyo perfil sintomático merecería los cuidados del analista familiarizado con las paradojas de la autoinmunidad cultural.
Golfos, senos y abras de una página de Cortázar traducida por Derrida; Según multiples registros (ciencia-ficción, psicoanálisis, arqueología, tangentes visuales, Lapsusarbeit, problemática y enigmática de la traducción) a partir y a regresar de y hacia la historia de putas en la que Cortázar traduce una página del ensayo a través del que Derrida repasa a contrapelo la estética kantiana, se rozan los motivos por los que el autor de Diario para un cuento pudo estar íntimamente interesado en asociar al autor de Parergon con una nihilista acidioso y pusilánime.
Solanera - de traumas y víctimas; J.U., quien sigue viviendo en Chambers Street, a dos cuadras del Ground Zero, hace llegar a B.M. Una cuestión de luz solar, película en la que los recuerdos del campo de concentración de Tschenstochau se entrelazan con los del ataque a las Torres Gemelas. B.M. procura responder sin olvidar que las pinturas del amigo ponen cada vez en entredicho el contorno de su tiempo y del ajeno, así como el espacio de la vez, los límites del contexto, del contexto humano.
El antropólogo que llegó del frío (Carta abierta a Miguel Taussig); An excessively open letter poured over the trail of the shameless discourse of Chamanismo, colonialismo y el hombre salvaje that the sender would have wanted to confront with a twisted crafty bitterness in the the 80s in the South, at times a pretext of polyglot whims which symptomatic profile would deserve the care of an analyst familiarised with the paradoxes of cultural autoimmunity.
Looking at different genres (science-fiction, psychoanalysis, archaeology, visual tangents, Lapsusarbeit, the problem and enigma of translation) and at the multifaceted history of whores, in which Cortázar interprets a page in Derrida's essay where he reluctantly reviews Kantian aesthetics, we find the reasons why the author of Diario para un cuento might have been secretly interested in viewing the author of Parergon as a lazy, faint-hearted nihilist.
Solanera - de traumas y víctimas; J.U., who still lives on Chambers Street, two blocks from Ground Zero, sends B.M. Una cuestión de luz solar, a film in which memories of the Tschenstochau concentration camp are intertwined with those of the attack on the Twin Towers. B.M. tries to reply without forgetting that his friend's paintings call into question the outline of his own time and that of others, as well as the space of time, the limits of context, the human context.
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