Die 'Novelas Ejemplares' Von Cervantes: Wahrnehmung Und Perspektive in Der Spanischen Novellistik Der Frühen Neuzeit
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Vor dem Hintergrund der Diskussion �ber die krisenhafte Raumerfahrung der Fr�hen Neuzeit untersucht die Autorin die Pr�sentation von Wahrnehmung und Perspektive in den Novellen von Cervantes (1547-1616). Der Vergleich mit Textbeispielen aus anderen spanischen Novellensammlungen des 16. und 17. Jahrhunderts (Timoneda, Lope de Vega, C�spedes y Meneses, Mar�a de Zayas) enth�llt dabei eindr�cklich bislang vernachl�ssigte Charakteristika des cervantinischen Schreibens. Die Verfasserin diskutiert den h�ufig unscharf verwendeten Begriff der Perspektive kritisch und untersucht die Darstellung der Wahrnehmungsperspektiven als syntagmatischen literarischen Ausdruck des Paradigmas der Perspektive. Im Mittelpunkt stehen erstmals die r�umliche Perspektivierung der Wahrnehmung und der konkrete Wahrnehmungsakt. Es gelingt der Autorin, die bis heute "geheimnisvolle Perspektivenwirkung" (Hatzfeld), die auch Autoren wie Flaubert bei der Lekt�re von Cervantes verbl�ffte, durchschaubar zu machen. Der Leser gewinnt einen vertieften Einblick in die teilweise neuartigen Erz�hlverfahren von Cervantes. In seinem Werk finden sich so Ans�tze zu fokalisiertem Erz�hlen, in dem Krisensituationen und Orientierungskrisen der Figuren ihren Ausdruck finden. Offengelegt wird damit ein erkenntnistheoretisches Problem, das auf die Moderne verweist. Statt einer blo en Opposition von enga�o und desenga�o, von Illusion und Desillusionierung, die der Barockliteratur immer wieder nachgesagt wurde, zeigt die Verfasseirn bei Cervantes eine differenzierte Darstellung des Wahrnehmungsaktes als Proze auf. Die synchrone und diachrone Perspektivierung der Wahrnehmung f�hrt in den Novellen von Cervantes zu einem kontextualisierten und subjektbezogenen Wahrheits- und Erkenntniskonzept. Dieses befindet sich im Spannungsverh�ltnis zur 'gesteuerten Kultur' (Maravall) der spanischen Barockgesellschaft. Die Untersuchung bietet vielseitige Anregungen und neue Einsichten f�r eine Auseinandersetzung mit Cervantes, dem spanischen 'Goldenen Zeitalter' sowie der Novellistik und Erz�hltheorie der Fr�hen Neuzeit und Moderne.
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