Skip to content

Booksellers & Trade Customers: Sign up for online bulk buying at trade.atlanticbooks.com for wholesale discounts

Booksellers: Create Account on our B2B Portal for wholesale discounts

In Praise of Nonsense: Kant & Bluebeard

by Winfried Menninghaus , Henry Pickford
Save 17% Save 17%
Current price ₹3,320.00
Original price ₹3,984.00
Original price ₹3,984.00
Original price ₹3,984.00
(-17%)
₹3,320.00
Current price ₹3,320.00

Imported Edition - Ships in 18-21 Days

Free Shipping in India on orders above Rs. 500

Request Bulk Quantity Quote
+91
Book cover type: Paperback
  • ISBN13: 9780804729529
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Stanford University Press
  • Publisher Imprint: Stanford University Press
  • Publication Date:
  • Pages: 272
  • Original Price: USD 30.0
  • Language: English
  • Edition: N/A
  • Item Weight: 323 grams
  • BISAC Subject(s): General

Shells, leafwork, picture frames, hummingbirds, wallpaper decorations, hems of clothing--such are the examples Kant's Critique of Judgment offers for a "free" and purely aesthetic beauty. Menninghaus's book demonstrates that all these examples refer to a widely unknown debate on the arabesque and that Kant, in displacing it, addresses genuinely "modern" phenomena. The early Romantic poetics and literature of the arabesque follow and radicalize Kant's move.

Menninghaus shows parergonality and "nonsense" to be two key features in the spread of the arabesque from architecture and the fine arts to philosophy and finally to literature. On the one hand, comparative readings of the parergon in Enlightenment aesthetics, Kant, and Schlegel reveal the importance of this term for establishing the very notion of a self-reflective work of art. On the other hand, drawing on Kant's posthumous anthropological notebooks, Menninghaus extrapolates an entire Kantian theory of what it means to produce nonsense and why the Critique of Judgment defines genius precisely through the power (as well as the dangers) of doing so.

Ludwig Tieck's 1797 rewriting of Charles Perrault's famous Bluebeard tale (1697) explicitly claims to be an "arabesque" book "without any sense and coherence." Menninghaus's close reading of this capricious narrative reveals a specifically Romantic--as opposed, say, to a Victorian or dadaistic--type of nonsense. Benjamin's as well as Propp's, Lévi-Strauss's, and Meletinskij's oppositions of myth and fairy tale lend additional credit to a Romantic poetics that inaugurates "universal poetry" while performing a bizarre trajectory through arabesque ornament, nonsense, parergonality, and the fairy tale.

Winfried Menninghaus teaches at the Freie Universität Berlin and at Yale University.

Trusted for over 49 years

Family Owned Company

Secure Payment

All Major Credit Cards/Debit Cards/UPI & More Accepted

New & Authentic Products

India's Largest Distributor

Need Support?

Whatsapp Us