Film and Narrative/电影与叙事
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The book is divided into two parts. The first part, Film History, includes the author's academic papers on both Chinese and foreign film history. It selects important intellectual currents, theoretical controversies, genre films, and classic films in Chinese film history as research subjects, penetrating the historical surface from various theoretical perspectives such as ideology and cultural studies to reveal the concealed yet decisive forces at work. At the same time, it takes "modernity" as a fundamental point of entry to guide the exploration of Chinese film history, raising questions and reflections, and pointing out the internal driving forces behind the continuous transformation of Chinese cinema and the trends that have emerged. The second part, Observations on the Current State of Film, collects comprehensive academic papers written and published by the author between 2012 and 2015 for the major project of the National Social Science Fund's Art Program, "A Feasibility Study on the Competitive Strategies of Chinese Films in Overseas Markets." This part not only focuses on the study of film as an art form but also examines the film ecology shaped by the interaction, negotiation, and contestation of multiple forces, including government administration, industrial practitioners, overseas and domestic audiences, and civil society organizations. It draws on the successful experiences of other national cinemas in content production, pursuing both cutting-edge theoretical insights and practical, actionable strategies. 全书分为两编。上编为电影史,收录了作者有关中外电影史的专业论文,选取中国电影史上的重要思潮流派、理论争鸣问题、类型电影、经典影片为研究对象,从意识形态、文化学等多种理论视角穿透历史表层,揭示隐蔽着的且具有决定性作用的力量。同时以"现代性"作为切入问题的一个基本视点,统领中国电影史的探寻,进行质疑和反思,指出中国电影不断蜕变的内驱力及其呈显出的趋向。 下编为电影现状观察,收录了作者为国家社会科学基金艺术学重大项目"中国电影海外市场竞争策略可行性研究"而撰写并发表的2012-2015年度综合性学术论文。不仅注重对电影艺术本体的研究,还兼顾考察政府管理层面、产业实践主体、海内外市场受众、民间社会团体等多方力量运作、较量和斡旋的电影生态环境,参照其他民族国家电影内容生产方面的成功经验,追求前沿性和策略上的可操作性、落地性。
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