Qianhai Insights: Shallow Traces of a Learning Journey/前海会心学步浅痕
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This book is a collection of the author's critical essays on traditional Chinese opera. The section "General Discussions" includes essays such as "The 'Double Hundred' Policy: A Fundamental Guideline," "Reflections on Artistic Work During Thirty Years of Reform and Opening-Up," "Building Another Great Wall of Culture and Art: A Retrospective of 20th-Century Artistic Phenomena," "The Nationalization of Foreign Arts and the Modernization of Traditional Arts," and others. In the section "On Preservation," the author argues that opera is a dynamic art form and should be preserved through dynamic means, discussing the protection of Kunqu, Peking Opera, and emerging regional operatic genres. The section "On Creation" - based on the author's study of Zhang Geng and Guo Hancheng's theories on the modernization of traditional opera - discusses the adaptation of traditional plays and the creation of both historical and contemporary operas. The sections on "Playwriting," "Directing," and "Acting" consist of essays that, following the author's study of Zhang Geng's relevant writings, offer concrete analyses of over a dozen accomplished and distinctive playwrights, directors, and performing artists. 本书系作者的戏曲评论集。"泛论"包括《"双百",较为的总方针》、《改革开放三十年艺术工作感受》、《再修一道文化艺术的长城--20世纪艺术现象回述》、《外来艺术的民族化和传统艺术的现代化》等。"保护论"部分,作者认为戏曲艺术是一门动态艺术,应该动态保护,并且论述了昆剧、京剧、地方新兴剧种的保护问题。"创作论"是在学习张庚、郭汉城先生关于戏曲现代化论述的基础上,分别论述了传统戏的改编、古代戏和现代戏的创作。"编剧论""导演论""演员论"的几组文章,也都是在学习张庚的相关论述之后,对十几位有成就、有个性的剧作家、导演、表演艺术家所做的具体论述。
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