Le Visage du Christ dans la musique baroque
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Revisiter les grandes oeuvres sacr�es du r�pertoire baroque en mettant en �vidence les liens existant entre leur discours musical et la r�alit� spirituelle qu'elles entendent exprimer, tel est le propos de ce livre.
Alors qu'en mati�re d'op�ra, notre �poque ne s'est jamais tant interrog�e sur la fid�lit� qui unit la musique au livret, elle semble trop souvent, en revanche, ne pas vouloir prendre en consid�ration la dimension religieuse de cette musique d'�glise, quel qu'ait pu �tre le degr� de conviction et d'engagement du compositeur. Attitude pour le moins paradoxale lorsqu'on sait l'engouement actuel pour les concerts et les disques de musique sacr�e. La nativit� du Christ, sa mort, sa r�surrection, les r�cits de la Bible, le c�r�monial de l'eucharistie n'ont cess� d'inspirer les plus grands musiciens de cette �poque. Bach, Haendel, Monteverdi, Sch�tz, Haydn, Mozart et bien d'autres encore, plus ou moins c�l�bres, ont ainsi � travers un nombre consid�rable de messes, cantates, requiem ou passions, �clair� pour nous la figure du Christ mieux souvent que ne le feraient les sermons les plus savants. C'est � cette relecture spirituelle des plus grands chefs-d'oeuvre de cette p�riode (passions et cantates de Bach, V�pres de la Vierge de Monteverdi, Messie de Haendel, etc.) que nous convie Jean-Fran�ois Labie. Fruit de longues recherches th�ologiques, voici donc un ouvrage qui apporte enfin les clefs d'une approche v�ritablement spirituelle de ces musiques nourries de la pens�e liturgique luth�rienne et catholique de leur temps. Ancien industriel, Jean-Fran�ois Labie se consacre aujourd'hui � des travaux d'historien de la musique. Collaborateur de divers dictionnaires, encyclop�dies et revues, il est l'auteur d'un Haendel et de Le Cas Verdi (Laffont).• Author(s): Clear | James • Publisher: Penguin • Publisher Imprint: Penguin Random House • Subject: General Books
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