L'Opéra de Paris à la fin de la Belle Époque (1908-1914)
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En cette fin de XIXe si�cle, l'Op�ra de Paris est encore la premi�re sc�ne lyrique mondiale. Aucune carri�re d'artiste ou de compositeur ne peut �tre consid�r�e comme �clatante sans un passage dans ce th��tre mythique. R�put� pour l'excellence de ses �quipes artistiques et techniques, la renomm�e de ses artistes, et le faste de ses d�cors et costumes, l'Op�ra de Paris incarne un mod�le de r�ussite culturelle.
Cependant, derri�re cette fa�ade �blouissante se cache un syst�me � bout de souffle. R�gi par un cahier des charges de plus en plus contraignant et parfois entrav� par l'ing�rence des commanditaires, l'Op�ra de Paris doit faire face � des d�fis consid�rables � la veille de la Premi�re Guerre mondiale. Malgr� ces obstacles, il demeure un enjeu culturel majeur pour le rayonnement de la France.
Dans cet ouvrage, Karine Boulanger nous plonge dans les coulisses de ce th��tre embl�matique. Elle d�voile les rouages de son fonctionnement, depuis le cadre r�glementaire jusqu'aux services administratifs, artistiques et techniques, sous la direction d'Andr� Messager et de Leimistin Broussan, deux figures que tout oppose. L'auteur explore �galement la composition du r�pertoire, influenc�e par les go�ts et convictions des directeurs, ainsi que son �volution en fonction des recettes, des r�actions du public et des critiques de la presse. La qualit� visuelle des productions, le montage des oeuvres, et l'�mergence de la profession de metteur en sc�ne sont autant de sujets passionnants abord�s dans ce livre.
Boulanger, Karine: - Karine BOULANGER, ingénieur de recherche au CNRS, a consacré une partie de ses études au fonctionnement de l'Opéra de Paris. Elle est l'auteur de plusieurs articles dédiés à ce sujet et a publié l'édition critique de l'une des sources d'archives les plus importantes de ce théâtre.
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