On the Origin and Progress of the Art of Music by John Taverner

Name: On the Origin and Progress of the Art of Music by John Taverner
Brand: Routledge
SKU: 9780367586409
Price: 4133.0 INR
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by Joseph M. Ortiz

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ISBN13: 9780367586409
Binding: Paperback
Subject: N/A
Publisher: Routledge
Publisher Imprint: Routledge
Publication Date: June 30, 2020
Pages: 176
Original Price: GBP 47.99
Language: English
Edition: N/A
Item Weight: 453 grams
BISAC Subject(s): Instruction & Study / Theory

About The Book

John Taverner's lectures on music constitute the only extant version of a complete university course in music in early modern England. Originally composed in 1611 in both English and Latin, they were delivered at Gresham College in London between 1611 and 1638, and it is likely that Taverner intended at some point to publish the lectures in the form of a music treatise. The lectures, which Taverner collectively titled De Ortu et Progressu Artis Music ("On the Origin and Progress of the Art of Music"), represent a clear attempt to ground musical education in humanist study, particularly in Latin and Greek philology. Taverner's reliance on classical and humanist writers attests to the durability of music's association with rhetoric and philology, an approach to music that is too often assigned to early Tudor England. Taverner is also a noteworthy player in the seventeenth-century Protestant debates over music, explicitly defending music against Reformist polemicists who see music as an overly sensuous activity.

In this first published edition of Taverner's musical writings, Joseph M. Ortiz comprehensively introduces, edits, and annotates the text of the lectures, and an appendix contains the existing Latin version of Taverner's text. By shedding light on a neglected figure in English Renaissance music history, this edition is a significant contribution to the study of musical thought in Renaissance England, humanism, Protestant Reformism, and the history of education.

About The Author

Joseph M. Ortiz is Associate Professor of English at the University of Texas at El Paso, where he teaches Renaissance and comparative literature. He is the author of Broken Harmony: Shakespeare and the Politics of Music (2011) and the editor of Shakespeare and the Culture of Romanticism (2013). He has written several articles and chapters on Renaissance literature, Renaissance musical thought, and the reception of classical culture in Renaissance Europe.

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