Opera and Modern Culture: Wagner and Strauss

Name: Opera and Modern Culture: Wagner and Strauss
Brand: University of California Press
SKU: 9780520251601
Price: 2238.0 INR
Availability: InStock

by Lawrence Kramer

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ISBN13: 9780520251601
Binding: Paperback
Subject: N/A
Publisher: University of California Press
Publisher Imprint: University of California Press
Publication Date: May 1, 2007
Pages: 261
Original Price: USD 30.95
Language: English
Edition: 1
Item Weight: 386 grams
BISAC Subject(s): Genres & Styles / Opera

About The Book

In this enlightening and entertaining book, one of the most original and sophisticated musicologists writing today turns his attention to music's most dramatic genre. Extending his ongoing project of clarifying music's various roles in Western society, Kramer brings to opera his distinctive and pioneering blend of historical concreteness and theoretical awareness.

Opera is legendary for going to extremes, a tendency that has earned it a reputation for unreality. Opera and Modern Culture shows the reverse to be true. Kramer argues that for the past two centuries the preoccupation of a group of famous operas with the limits of supremacy and debasement helped to define a normality that seems the very opposite of the operatic. Exemplified in a series of beloved examples, a certain idea of opera--a fiction of opera--has contributed in key ways to the modern era's characterizations of desire, identity, and social order. Opera and Modern Culture exposes this process at work in operas by Richard Wagner, who put modernity on the agenda in ways no one after him could ignore, and by the young Richard Strauss. The book continues the initiative of much recent writing in treating opera as a multimedia rather than a primarily musical form. From Lohengrin and The Ring of the Niebelung to Salome and Elektra, it traces the rich interplay of operatic visions and voices and their contexts in the birth pangs of modern life.

About The Author

Lawrence Kramer is Professor of English and Music at Fordham University and coeditor of 19th-Century Music. His many books include Why Classical Music Still Matters (2007), Classical Music and Postmodern Knowledge (1995), After the Lovedeath: Sexual Violence and the Making of Culture (1997), and Musical Meaning: Toward a Critical History (2002), all from the University of California Press.

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