The American Musical and the Performance of Personal Identity

Name: The American Musical and the Performance of Personal Identity
Brand: Princeton University Press
SKU: 9780691141053
Price: 4232.0 INR
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by Raymond Knapp

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ISBN13: 9780691141053
Binding: Paperback
Subject: N/A
Publisher: Princeton University Press
Publisher Imprint: Princeton University Press
Publication Date: March 22, 2009
Pages: 480
Original Price: USD 44.0
Language: English
Edition: N/A
Item Weight: 704 grams
BISAC Subject(s): Genres & Styles / Musicals

About The Book

The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project.

This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals.

Among the musicals discussed are Camelot, Candide; Chicago; Company; Evita; Gypsy; Into the Woods; Kiss Me, Kate; A Little Night Music; Man of La Mancha; Meet Me in St. Louis; The Merry Widow; Moulin Rouge; My Fair Lady; Passion; The Rocky Horror Picture Show; Singin' in the Rain; Stormy Weather; Sweeney Todd; and The Wizard of Oz.

Complementing the author's earlier work, The American Musical and the Formation of National Identity, this book completes a two-volume thematic history of the genre, designed for general audiences and specialists alike.

About The Author

Raymond Knapp is professor of musicology at the University of California, Los Angeles, and the author of The American Musical and the Formation of National Identity (Princeton), winner of the George Jean Nathan Award for Dramatic Criticism. He has also published books on Brahms and Mahler.

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