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Contact Zones: Photography, Migration, and Cultural Encounters in the U.S.

by Justin Carville
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Current price ₹2,078.00
Original price ₹2,714.00
Original price ₹2,714.00
Original price ₹2,714.00
(-23%)
₹2,078.00
Current price ₹2,078.00

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Book cover type: Paperback
  • ISBN13: 9789462702523
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Leuven University Press
  • Publisher Imprint: Leuven University Press
  • Publication Date:
  • Pages: 340
  • Original Price: USD 29.5
  • Language: English
  • Edition: N/A
  • Item Weight: 772 grams
  • BISAC Subject(s): Subjects & Themes / General and Sociology / General

Since the mid-nineteenth century photography has had a central place in cultural encounters within and between migrant communities. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as 'contact zones' through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography's role in shaping migrant experiences of cultural transformation, and in turn how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.

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Contributors: Sarah Bassnett (Western University), David Bate (University of Westminster), Justin Carville (Institute of Art, Design & Technology, Dun Laoghaire), Erina Duganne (Texas State University), Orla Fitzpatrick (National Museum of Ireland), Bridget Gilman (San Diego State University), Aleksandra Idzior (University of Fraser Valley), Alexandra Irimia (University of Western Ontario), Sandra Krizic Roban (Institute of Art History, Zagreb), Sigrid Lien (University of Bergen), Helene Roth (Ludwig-Maximilians-Universität Munich), Leslie Ureña (Smithsonian National Portrait Gallery)

Justin Carville teaches historical and theoretical studies in photography at the Institute of Art, Design & Technology, Dun Laoghaire.

Sigrid Lien teaches modern and contemporary Art History, including theory and history of Photography at the Department of Literary, Linguistic and Aesthetic Studies at the University of Bergen.

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