Skip to content

Booksellers & Trade Customers: Sign up for online bulk buying at trade.atlanticbooks.com for wholesale discounts

Booksellers: Create Account on our B2B Portal for wholesale discounts

Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century

by Matthew Solomon
Save 20% Save 20%
Current price ₹2,261.00
Original price ₹2,817.00
Original price ₹2,817.00
Original price ₹2,817.00
(-20%)
₹2,261.00
Current price ₹2,261.00

Imported Edition - Ships in 12-14 Days

Free Shipping in India on orders above Rs. 500

Request Bulk Quantity Quote
+91
Book cover type: Paperback
  • ISBN13: 9780252076978
  • Binding: Paperback
  • Subject: N/A
  • Publisher: University of Illinois Press
  • Publisher Imprint: University of Illinois Press
  • Publication Date:
  • Pages: 196
  • Original Price: GBP 22.99
  • Language: English
  • Edition: N/A
  • Item Weight: 340 grams
  • BISAC Subject(s): General, Film / History & Criticism, and Theater / History & Criticism

Disappearing Tricks revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. Where others have called upon magic as merely an evocative metaphor for the wonders of cinema, Matthew Solomon focuses on the work of the professional illusionists who actually made magic with moving pictures between 1895 and 1929.

The first to reveal fully how powerfully magic impacted the development of cinema, the book combines film and theater history to uncover new evidence of the exchanges between magic and filmmaking in the United States and France during the silent period. Chapters detailing the stage and screen work of Harry Houdini and Georges Méliès show how each transformed theatrical magic to create innovative cinematic effects and thrilling new exploits for twentieth-century mass audiences. The book also considers the previously overlooked roles of anti-spiritualism and presentational performance in silent film.

Highlighting early cinema's relationship to the performing body, visual deception, storytelling, and the occult, Solomon treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle.

Matthew Solomon is an associate professor of cinema studies in the Department of Media Culture at the College of Staten Island, City University of New York.

Trusted for over 48 years

Family Owned Company

Secure Payment

All Major Credit Cards/Debit Cards/UPI & More Accepted

New & Authentic Products

India's Largest Distributor

Need Support?

Whatsapp Us