Gegen die Timeline: Dramaturgie der non-linearen Narrationstechnik in González-Iñarritús Film Amores Perros
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Pyotr Magnus Nedov hat die Erfahrung gemacht, dass man als Filmemacher die Form der zu erzählenden Geschichte unterwerfen sollte. Manche Geschichten lassen sich besser linear erzählen, manche Geschichten funktionieren besser als Roman oder Theaterstück; manche Geschichten funktionieren besser non-linear, wie eben Iñarritús vielgelobtes Spielfilmdebüt 'Amores perros.' Anhand dieser Arbeit möchte der Autor ein kleines, aber feines Werkzeug erschaffen, mithilfe dessen man einige der (möglichen) Techniken der non-linearen Filmnarration besser verstehen und nutzen kann, um sie praktisch auch in den eigenen (filmischen) Arbeiten einflie en lassen zu können. Aus diesem Grund bemüht sich der Autor um eine klare und einfache Sprache und beschränkt das Fachvokabular auf ein Minimum, um die Erkenntnisse der vorliegenden Arbeit auch dem filminteressierten Laien zugänglich zu machen.
Pyotr Magnus Nedov wurde 1982 in Chişinău, Sowjetunion (Moldawien) geboren. Studium der Keltologie, Romanistik, Filmwissenschaften und Filmregie an der Sorbonne Paris, RGGU Moskau, Université de Montréal, am SAE Technology Institute und an der Universität Wien. Forschungsaufenthalte am National Film Board of Canada und an der Cinémathèque québécoise. 2008 Promotion zum Doktor der Philosophie an der Universität Wien mit einer filmwissenschaftlichen Arbeit über Pierre Falardeau. 2009 bis 2013 Postgraduales Filmstudium an der Kunsthochschule für Medien Köln (KHM) mit Schwerpunkt auf Drehbuch und Spielfilmregie. Sein Abschlussfilm "Kosherland" feierte seine Premiere auf dem Max-Ophüls-Festival und wurde mehrfach ausgezeichnet. 2013 erschien sein Roman "Zuckerleben" bei DuMont. Er lebt und arbeitet als Autor und Filmemacher in Berlin.
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