Race in Translation: Culture Wars Around the Postcolonial Atlantic
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While the term "culture wars" often designates the heated arguments in
the English-speaking world spiraling around race, the canon, and affirmative
action, in fact these discussions have raged in diverse sites and languages. Race
in Translation charts the
transatlantic traffic of the debates within and between three zones--the U.S.,
France, and Brazil. Stam and Shohat trace the literal and figurative translation of these
multidirectional intellectual debates, seen most recently in the emergence of
postcolonial studies in France, and whiteness studies in Brazil. The authors
also interrogate an ironic convergence whereby rightist politicians like
Sarkozy and Cameron join hands with some leftist intellectuals like Benn
Michaels, Zizek, and Bourdieu in condemning "multiculturalism" and "identity
politics." At once a report from various "fronts" in the culture wars, a
mapping of the germane literatures, and an argument about methods of reading
the cross-border movement of ideas, the book constitutes a major contribution to
our understanding of the Diasporic and the Transnational.
Shohat, Ella: - Ella Shohat is Professor of Cultural Studies at New York University. Among her many publications are Taboo Memories, Diasporic Voices (2006); Talking Visions: Multicultural Feminism in a Transnational Age (1998); Israeli Cinema: East/West and the Politics of Representation (1989; New Edition 2010); and Le sionisme du point de vue de ses victimes juives: les juifs orientaux en Israel (Paris, 1988;2006). Together, Shohat/Stam coauthored Unthinking Eurocentrism (1994); Flagging Patriotism: Crises of Narcissism and Anti-Americanism (2007); and co-edited Multiculturalism, Postcoloniality, and Transnational Media (2000).
Stam, Robert: - Among his many publications are Literature through Film: Realism, Magic, and the Art of Adaptation (2004); Film Theory: An Introduction (2000); Francois Truffaut and Friends (2006); Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture (1997); and Subversive Pleasures: Bakhtin, Cultural Criticism, and Film (1989).
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