Street Ghosts. Zwischen Street Art und Medienkunst: Ein Diskurs zu den Unterschieden und Gemeinsamkeiten der Stile und Techniken am Beispiel von Paolo
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Studienarbeit aus dem Jahr 2017 im Fachbereich Kunst - Computerkunst, Medienkunst, Note: 1,3, Leuphana Universität Lüneburg, Sprache: Deutsch, Abstract: Die Bearbeitung der Themenstellung ist in drei Bereiche gegliedert. Zunächst werden "Street Art" und "Medienkunst" definiert und das Kunstwerk "Street Ghosts" von Paolo Cirio wird vorgestellt. Im zweiten Teil werden diese beiden künstlerischen Richtungen mit seiner Projektarbeit in Verbindung gesetzt und es wird analysiert, ob Street Ghosts einer dieser Stile zugeordnet werden kann. Die Zuordnung erfolgt mittels typischer Merkmale für die Kunstrichtungen. Im weiteren Verlauf der Arbeit werden die analysierten Ergebnisse mit dem Künstler in Verbindung gesetzt und abschlie end zusammengefasst. In den 90er Jahren, entwickelte sich in Paris und London ein neues Phänomen. Mit Bezug auf die in den 70er Jahren in Amerika aktive Graffiti-Bewegung, "zementieren, hängen oder nageln Aktivisten Skulpturen in den öffentlichen Raum." "Street Art", auch "Urban-Art" und "Post-Graffiti" genannt, ist als Aktivität bis heute ein fester Bestandteil des Stra enbildes geworden.
Cornelius Gesing (*1997) ist in Hamburg aufgewachsen, bevor er an der Leuphana Universität Lüneburg sein Studium der Kulturwissenschaften aufnahm. Mit einer Spezialisierung in visueller Kultur, Kulturmanagement und Kulturkommunikation widmet er sich historischen Artefakten unter Einbeziehung aktueller sozialer, technologischer und kultureller Entwicklungen des 21. Jahrhunderts.
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