Klee composé: Lyrik mit Paul Klee
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Die Lyrik in Klee compos� ist ausschliesslich aus Paul Klees Referenzen entstanden. Bedingung f�r die Autorin Joanna Lisiak war Paul Klees Wortschatz, seine eigenen Worte und Wortsch�pfungen. Joanna Lisiak versteht sich in dieser Arbeit prim�r als Komponistin und Entdeckerin, denn als Lyrikerin. Als Fundus lagen eine grosse Auswahl an Klees Zitaten aus Katalogen und B�chern vor sowie vorwiegend seine Werktitel und Berichte aus den Tageb�chern. Dar�ber Klees p�dagogische Erkenntnisse aus seinen Jahren als Lehrer am Bauhaus in Weimar resp. Dessau. Auf seine pers�nlichen Briefe oder Klees eigene - und in sich geschlossene Lyrik -, wurde als Referenz bewusst verzichtet, ebenso unangetastet sind Bildbesprechungen oder Sekund�rtexte von Dritten. Klee compos� umfasst 76 Gedichte. Die lyrische Komponistin Joanna Lisiak bedient sich der gegebenen Worte auf spielerische Weise und erlaubt Texte und Bilder aus ihren Kontexten herauszugreifen, um sie zu etwas Neuem frisch zu arrangieren. Auch der Bezug zu Klees bildnerischem Werk bleibt frei. Ganz im Sinne Klees kann das Unausgesprochene in den Gedichten manchmal mehrstimmig anklingen, das Unbewusste pr�sent sein. Wie auch bei Klees Arbeiten entziehen sich die Texte einer einfachen Deutung, bergen zugleich poetische wie abstrakte Elemente in sich und verm�gen die Ironie und den Humor einzuschliessen. Obschon Joanna Lisiak mit ihrer eigenen lyrischen Stimme zur�cktritt und Klees Worten den Vorrang gibt, verzichtet die Autorin nicht auf ihr Handwerk als Lyrikerin: Metaphern, der Umgang mit dem Zeilenbruch, die konsequente Kleinschreibung sowie der Verzicht auf Interpunktion erlauben, die lyrischen Dimensionen zu erweitern und akzentuieren gleichzeitig die Entwicklung der effektiven Sch�pfung. Klee compos� erhebt keinen Anspruch auf Vollst�ndigkeit, denn es wurde hier nicht systematisch nach einem Katalog raisonn� vorgegangen. Das Buch will keine komprimierte Synthese aus Klees Schaffen sein oder eine weitere Analyse darstellen.
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