Das dramatische Werk Friedrich de la Motte Fouqués
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Da die Dramen "Fouqu�s und einiger seiner Zeitgenossen" zu den vernachl�ssigenswerten Produkten der Literaturgeschichte geh�ren, ist ebenso bekannt, wie die fraglichen Texte selbst unbekannt sind. Das ist umso bemerkenswerter, als dieses Material eine paradigmatische Zusammenschau der poetischen und poetologischen M�glichkeiten der Romantik bietet und dabei zugleich auf die zentralen zeit- wie wissenschaftspolitischen Ereignisse reagiert. Daran orientiert sich der Aufbau der Arbeit: Das unter Pseudonym ver�ffentlichte Fr�hwerk Fouqu�s (1777-1843) entsteht in Auseinandersetzung mit der fr�hromantischen Poetologie als Versuch einer von Ludwig Tiecks Lustspielkonzeption einerseits und der spanischen Kom�dientradition andererseits vorgegebenen allegorischen Welttheaterdramatik. Das nationalpolitische Programm des Hauptwerks l� t sich nach den verarbeiteten Stoffen ordnen: Die Mythendramen f�hren die zeitgen�ssischen Forderungen nach einer "neuen Mythologie" aus, die Geschichtsdramen antworten auf aktuelle politische Ereignisse oder dramatisieren zentrale Begebenheiten der sogenannten Nationalgeschichte mit historiographischem resp. geschichtsphilosophischem Anspruch, und die Mittelalterdramen machen im Rahmen eines sich in dieser Zeit konstituierenden philologischen Interesses an einer deutschen Nationalliteratur wichtige �berlieferungszeugen in neuer Form pr�sent. F�r die Ausbildung einer genuin romantischen Dramenform spielt Fouqu�s Auseinandersetzung mit Schiller eine zentrale Rolle, die zudem den Blick auf �bergreifende Linien des Gesamtwerks erm�glicht. Die Aufhebung der tradierten Gattungsgrenzen in einem dramatisch-musikalischen Gesamtkunstwerk wird durch die poetologische Fundierung und formale Disposition dieser Dramatik vorbereitet.
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