Des doctrines et des hommes: Perspectives psychanalytiques anthropologiques
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Sur les parois des grottes de Lascaux, de Chauvet ou de Tassili-n-Ajjer, nos anc�tres, dans leurs oeuvres picturales, ma�trisaient profondeur, ronde-bosse, utilisaient fissures, diverticules ou mouvements de la roche pour mettre en perspective, d�j�, leur rapport symbolique au monde animal, � la vie et � la mort.
Pourquoi faut-il attendre le Quattrocento en Italie pour que l'Occident red�couvre la perspective ?
Pourquoi ce trou vertigineux de quelques milliers d'ann�es pour retrouver et reconsid�rer - � partir de doctrines et de savoirs constitu�s sur l'anatomie, la physiologie de l'oeil et la g�om�trie - que la perspective n'est pas r�ductible � la perspective lin�aire, mais permet d'affirmer un point de vue sur le monde la naissance du perspectivisme ?
Comment s'effectue ce virage �pist�mologique radical, consid�rant que notre intelligibilit� du monde est influenc�e par nos points de vue individuels � partir de nos exp�riences, croyances puis, avec Freud, que l'humain est d�termin� par l'inconscient ?
Aussi sommes-nous conduits � un point de vue perspectiviste int�ressant les liens que l'homme �tablit dans ses diff�rents investissements et simultan�ment, � r�interroger les invariants fondateurs des mythes, des cultures et des soci�t�s.
Consid�rations qui ont permis � Freud d'�tablir que la psychanalyse est une anthropologie ouverte sur une anthropologie psychanalytique.
Nadal, Jean: - "Dans le sillage de La pulsion de peindre, la toile et son inconscient
et de son dernier ouvrage, Ils ont révolutionné la peinture. De l'hallucinatoire à imaginaire quantique, - l'auteur, psychanalyste et peintre, Co Président du Collège International de Psychanalyse et d'Anthropologie - s'adresse ici autant au psychanalyste, au peintre, à l'historien de l'art qu'au scientifique.
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