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Sacred and Secular Musics: A Postcolonial Approach

by Virinder S. Kalra
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Current price ₹4,976.00
Original price ₹5,972.00
Original price ₹5,972.00
Original price ₹5,972.00
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₹4,976.00
Current price ₹4,976.00

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Book cover type: Paperback
  • ISBN13: 9781474288859
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Bloomsbury Publishing PLC
  • Publisher Imprint: Bloomsbury Publishing PLC
  • Publication Date:
  • Pages: 256
  • Original Price: GBP 38.99
  • Language: English
  • Edition: N/A
  • Item Weight: 354 grams
  • BISAC Subject(s): Genres & Styles / General, Sociology of Religion, and Ethnomusicology

How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music and Indian Classical music in the 18th and 19th centuries, laying the ground for a contemporary exploration of what is ostensibly sacred music in South Asia. Offering a potent critique of musicological knowledge-making, Virinder S. Kalra explores examples of South Asian musics in various domains and traverses a new cartography of music in which the sacred and the secular overlap.

Drawing on examples which include Qawwali, kirtan and popular devotional genres, Sacred and Secular Musics offers new empirical material, as well as new insights into conceptualising religion and music, and the ways in which music performs sacredness and secularity across the contested India-Pakistan border in the region of Punjab.

Through its deconstruction of the sacred/secular opposition, Sacred and Secular Musics explores the relationship of religion and music to wider questions of religion and politics. Its postcolonial approach brings Asia into the Western sacred/secular opposition, and provides a set of analytical tools - a language and range of theories - to allow further exploration of non-western religious music.

Cohen, Sara: - Sara Cohen is James and Constance Alsop Chair in Music and Director of the Institute of Popular Music at Liverpool University, UK. She has a DPhil in Social Anthropology from Oxford University and is author of Rock Culture in Liverpool (1991) and Decline, Renewal and the City in Popular Music Culture (2007), co-author of Harmonious Relations (1994) and Liverpool's Musical Landscapes (2018), and co-editor of Sites of Popular Music Heritage (2014). She has specialised in interdisciplinary research on popular music, with a particular interest in ethnographic approaches and research on place, heritage, memory and ageing.

Kalra, Virinder S.: - Virinder S. Kalra is Professor of Sociology, at the University of Warwick, UK.

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