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Stephen Joseph: Theatre Pioneer and Provocateur

by Paul Elsam
Save 17% Save 17%
Current price ₹16,472.00
Original price ₹19,767.00
Original price ₹19,767.00
Original price ₹19,767.00
(-17%)
₹16,472.00
Current price ₹16,472.00

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Book cover type: Hardcover
  • ISBN13: 9781408185674
  • Binding: Hardcover
  • Subject: N/A
  • Publisher: Bloomsbury Publishing PLC
  • Publisher Imprint: Bloomsbury Publishing PLC
  • Publication Date:
  • Pages: 224
  • Original Price: GBP 130.0
  • Language: English
  • Edition: N/A
  • Item Weight: 408 grams
  • BISAC Subject(s): Theater / History & Criticism and General

A 1967 obituary in The Times labelled Stephen Joseph 'the most successful missionary to work in the English theatre since the second world war'. This radical man brought theatre-in-the-round to Britain, provoked Ayckbourn, Pinter and verbatim theatre creator Peter Cheeseman to write and direct, and democratised theatregoing. This monograph investigates his forgotten legacy.

This monograph draws on largely unsorted archival material (including letters from Harold Pinter, J. B. Priestley, Peggy Ramsay and others), and on new interviews with figures including Sir Alan Ayckbourn, Trevor Griffiths and Sir Ben Kingsley, to demonstrate how the impact on theatre in Britain of manager, director and 'missionary' Stephen Joseph has been far greater than is currently acknowledged within traditional theatre history narratives. The text provides a detailed assessment of Joseph's work and ideas during his lifetime, and summarises his broadly-unrecognised posthumous legacy within contemporary theatre. Throughout the book Paul Elsam identifies Joseph's work and ideas, and illustrates and analyses how others have responded to them. Key incidents and events during Joseph's career are interrogated, and case studies that highlight Joseph's influence and working methods are provided.

Paul Elsam trained as an actor at the former Manchester Polytechnic School of Theatre, UK, and has worked widely as a performer in theatre, radio, film and television, including in BAFTA and Olivier-nominated productions on stage and screen. He has directed professional actors and students in both the UK and the USA, often working 'in the round'. He has held teaching posts at the universities of Hull and Teesside, and at the Academy of Live and Recorded Arts. He maintains a strong research interest in post-war theatre historiography, and in the praxis of actor training.

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