The Theatre of Timberlake Wertenbaker offers the first comprehensive overview of Wertenbaker's playwriting career which spans more than thirty years of stage plays. It considers the contexts of their initial productions by a range of companies and institutions, including the Royal Court, the Arcola and the Women's Theatre Group. While examining all of Wertenbaker's original stage works, Sophie Bush's companion focuses most extensively on the frequently studied plays Our Country's Good and The Love of the Nightingale, but also draws attention to early unpublished works and more recent, critically neglected pieces, and the counterpoints these provide.
The Companion will prove invaluable to students and scholars, combining as it does close textual analysis with detailed historical and contextual study of the processes of production and reception. The author makes comprehensive use of previously undiscussed materials from the Wertenbaker Archive, including draft texts, correspondence and theatrical ephemera, as well as original interviews with the playwright. A section of Performance and Critical Perspectives from other scholars and practitioners offer a range of alternative approaches to Wertenbaker's most frequently studied play, Our Country's Good.
While providing a detailed analysis of individual plays, and their themes, theatricalities and socio-historical contexts, The Theatre of Timberlake Wertenbaker also examines the processes and shape of Wertenbaker's career as a whole, and considers what the struggles and triumphs that have accompanied her work reveal about the challenges of theatrical collaboration. In its scope and reference Sophie Bush's study extends to encompass a wealth of additional information about other individuals and institutions and succeeds in placing her work within a broad range of concerns and resonances.
Bush, Sophie: - Sophie Bush is Head of Stage and Screen at Sheffield Hallam University, UK. She is the editor of student editions of Our Country's Good (2020), Top Girls (2018) and My Mother Said I Never Should (2015), and a GCSE Student Guide to My Mother Said I Never Should (2015), all published with Methuen Drama. She is also the author of The Theatre of Timberlake Wertenbaker (Methuen Drama, 2013).
Hodgman, Roger: - Roger Hodgman has directed over a hundred stage productions and many hours of television drama. He was Artistic Director for Melbourne Theatre Company for twelve years until 2000 and now works as a freelance director.
Jr.: - Kevin J. Wetmore, Jr. is professor of theatre arts at Loyola Marymount University, Los Angeles, USA, the author and editor of ten books including The Empire Triumphant: Race, Religion and Rebellion in the Star Wars Films, and a contributor to numerous volumes on sci-fi, pop culture and religion, including essays on Godzilla, Star Wars, and Battlestar Galactica. His areas of expertise include Japanese theatre, African theatre, Shakespeare, Greek tragedy, stage combat and comedy. He is co-editor with Patrick Lonergan of Bloomsbury Methuen Drama's Critical Companions series.
Lonergan, Patrick: - Patrick Lonergan is Professor of Drama and Theatre Studies at University of Galway, Ireland.
Sigal, Sarah: - Sarah Sigal is a freelance writer, dramaturg, director and visiting Lecturer at Queen Mary, University of London, UK.
Turner, Debby: - Debby Turner is a freelance lecturer on the MA Ensemble course at Rose Bruford College of Speech and Drama, London.
