• ISBN13: 9781350385566
• Binding: Paperback
• Subject: N/A
• Publisher: Bloomsbury Publishing PLC
• Publisher Imprint: Bloomsbury Publishing PLC
• Publication Date: July 24, 2025
• Pages: 208
• Original Price: GBP 28.99
• Language: English
• Edition: N/A
• Item Weight: 454 grams
• BISAC Subject(s): Theater / General

Bleeker, Maaike: - Maaike Bleeker is a Professor and the Chair of Theatre Studies at Utrecht University, Netherlands. She is President of Performance Studies international, a Member of the International Advisory Board of Maska (Ljubljana) and of Inflexions: A Journal of Research-Creation (Montreal). Her publications include: Visuality in the Theatre: The Locus of Looking (2008); Anatomy Live: Performance and the Operating Theatre (2008); BodyCheck: Relocating the Body in Contemporary Performing Arts (with Stephen DeBelder, et al).

Gough, Kathleen: - Kathleen M. Gough is an Associate Professor of Theatre at the University of Vermont, USA. She is also the author of Kinship and Performance in the Black and Green Atlantic (Routledge 2013), winner of the 2014 Errol Hill Award from ASTR. She received the 2017 Oscar G. Brockett Essay Prize from ASTR for "The Art of the Loop: Analogy, Aurality, History, Performance" (TDR 2016).

Kear, Adrian: - Professor Adrian Kear is Programme Development Director, Performance Arts, at Wimbledon College of Arts, University of the Arts London, UK. His books include: Theatre and Event: Staging the European Century (2013); International Politics and Performance: Critical Aesthetics and Creative Practice (with Jenny Edkins) (2013); On Appearance (with Richard Gough) (2008); Psychoanalysis and Performance (with Patrick Campbell)(2001).

Kelleher, Joe: - Joe Kelleher is Emeritus Professor of Theatre and Performance at Roehampton University, UK.

Roms, Heike: - "Heike Roms is Professor in Theatre and Performance at the University of Exeter, UK. Her books include: Silent Explosion (2015) and Contesting Performance - Global Sites of Research (co-edited with Jon McKenzie and C.J.W.-L. Wee, 2010). Her research into the history and historiography of early performance art won the David Bradby TaPRA Award for Outstanding Research in International Theatre and Performance 2011."