"Bajarse al moro": Das Buch von José Luis Alonso de Santos und die Verfilmung von Fernando Colomo. Ein Vergleich
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Studienarbeit aus dem Jahr 2004 im Fachbereich Romanistik - Spanische Sprache, Literatur, Landeskunde, Note: 1,0, Friedrich-Alexander-Universität Erlangen-Nürnberg (Institut für Romanistik), Veranstaltung: Proseminar, Sprache: Deutsch, Abstract: José Luis Alonso de Santos encontró desde la primera representación teatral de Bajarse al moro la fortuna del éxito. Madrid, los años 80 y cuatro jóvenes como tantos constituyen el espacio, el tiempo y los protagonistas de la obra. Su fuente de inspiración, la realidad que le rodea, (...). Con esta edición se pretende dejar constancia de algo que es fundamental en esta obra: su lenguaje caliente, la expresión de una forma de entender la vida." So lauten die Worte auf der Rückseite der literarischen Ausgabe von Fermín de Tamayo und Eugenia Popeanga, die das Werk Bajarse al moro des spanischen Autors José Luis Alonso de Santos zusammenfassend beschreiben. Ganz anders dagegen liest sich die Synopsis einer Internetseite über die Verfilmung des selbigen Werkes unter der Regie von Fernando Colomo. "La "Chusa" es una mujer que vive de "bajarse al moro", es decir, va y viene de Marruecos con una humildìsima carga de grifa que un primo suyo distribuye. "Chusa" tiene un novio que es policía nacional y, además, acoge en su casa a una huída jovencita." Im Folgenden wird das von J. L. A. de Santos verfasste Werk Bajarse al moro aus dem Jahre 1985 der gleichnamigen Verfilmung, zu Deutsch "Die Grenzgänger", unter der Regie des Spaniers Fernando Colomo aus dem Jahre 1989, gegenübergestellt. Der Schwerpunkt dieser Arbeit liegt auf der Untersuchung der formalen wie inhaltlichen Entsprechungen und Abweichungen in den verschiedenen Medien. Da die dramatische Form der filmischen als Vorlage dient, möchte ich zunächst auf das Leben und Werk des Autors und Theatermachers Alonso de Santos und auf das spanische Theaterpanorama jener Zeit eingehen. Anschlie end folgt eine vergleichende Gegenüberstellung von Stück und Film in Bezug auf Schauplätz
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