"Cardillac" - Künstler und Verbrecher: Zu E.T.A. Hoffmanns "Fräulein von Scuderi"
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Studienarbeit aus dem Jahr 2003 im Fachbereich Germanistik - Neuere Deutsche Literatur, Note: 1,0, Freie Universit�t Berlin, Sprache: Deutsch, Abstract: E.T.A. Hoffmanns Erz�hlung "Das Fr�ulein von Scuderi" ist seit ihrem erstmaligen Erscheinen 1820 in der Forschung in vielfacher Weise interpretiert worden: als erste Detektiverz�hlung der deutschen Literaturgeschichte, als Gesellschafts- und Herrschaftskritik, die das inhumane Vorgehen der Justiz aufzeigen soll, als Heilsgeschichte, die das tugendhafte Fr�ulein in Gegensatz zur verfallenen und dekadenten Welt stellt, oder als K�nstlernovelle, die das Schicksal des genialen aber wahnsinnigen Cardillac schildert. Tats�chlich sind all jene nur Teilaspekte und erst zusammen ergeben sie die Erz�hlung. Im folgenden soll dennoch das Augenmerk auf die Gestalt des Goldschmieds und M�rders Ren� Cardillac gerichtet werden. Er scheint dem Leser, dem Kritiker und dem Interpreten auf den ersten Blick eine �u erst fremde und absolut unmoralische Person zu sein. Bereits die ersten Rezensionen nach der Ver�ffentlichung verdeutlichen dies: " [...] zu rechten w�re dagegen mit dem Verf., da er seine teuflische Figur Cardillac rein unmenschlich darstellt, indem er ihn allemal erst nach begangenen Mordthaten Ruhe und Seelenzufriedenheit als beharrlichen Zustand genie en l� t, ein Zustand, zu dem das Phantasma vom b�sen Stern [...] nicht hinreicht, dem nur die unmittelbarste Einwirkung des Satans [...] Statthaftigkeit und Wahrheit geben konnte. Auch w�re vielleicht die Geschichte noch anziehender geworden, wenn der B�sewicht nicht als wunderlich, sondern als blo er Ausbund menschlicher Lasterhaftigkeit dast�nde."1 Cardillac lediglich vom moralischen Standpunkt aus zu beurteilen wird aber offensichtlich der Gestalt, die Hoffmann uns pr�sentiert, nicht gerecht. Denn er ist ja kein wahllos mordender Irrer, sondern eine komplexe Pers�nlichkeit, die sich seinen Taten durchaus bewu t ist: "Glaube nicht, da ich darum, weil ich tun mu , was ic
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