"Cogebar (...) plorare Didonem mortuam". Eine Untersuchung über Augustus' konträres Verhältnis zu Vergil auf Grundlage der Textstelle conf. I, 13, 20
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Studienarbeit aus dem Jahr 2017 im Fachbereich Klassische Philologie - Latinistik - Mittel- und Neulatein, Note: 2,0, Universität zu Köln (Institut für Altertumskunde), Veranstaltung: De Vita Augustini, Sprache: Deutsch, Abstract: Augustinus gilt zu Recht als eine der prominentesten Persönlichkeiten der Spätantike und als eine der gro en Figuren der lateinischen Literaturgeschichte. Auf ungefähr 5,2 Millionen Wörter beläuft sich -so schätzt man- sein literarisches Erbe, womit er Platon und Aristoteles, die beiden bedeutendsten Philosophen und Schriftsteller des Altertums, um Längen übertrifft. Die Hymnen und Lobpreisungen, die sich posthum über ihn ergossen, sind lang und vereinigen einige Superlative in sich: So titulierten ihn der irische Bischof Richard Hanson 1985 als "eine(n) der grö ten Geister, die je auf diesem Planeten gelebt haben" und der deutsche Theologe Roderich Erwin von Kienitz als "eine(n) der tiefsten Denker des Abendlandes, eine der universalsten Gestalten der Menschheit." Doch nicht die blo e Quantität allein ist es, die Augustinus als historische, literarische oder theologische Persönlichkeit zu einer exponierten Stellung verhilft. Vielmehr ist es der Mensch Augustinus und dessen Lebensweg, der die Menschen bereits zu Lebzeiten fasziniert hat. Die Ambivalenz seiner Persönlichkeit, die ständige Suche nach der religiösen "Wahrheit" und vor allem das jugendliche "Ich" des späteren Kirchenvaters, das geprägt war durch sexuelle Abenteuer und enge Freundschaften, führten seit jeher zu einem gro en Interesse an seiner Person. Als ambivalent kann auch das Verhältnis Augustins zu Vergil beschrieben werden, das den thematischen Schwerpunkt dieser Arbeit bildet. Dieses war mindestens genauso au ergewöhnlich und durch Gegensätze gekennzeichnet wie der Lebensweg des berühmten Kirchenvaters selbst kurvenreich war. Seine Beziehung zu dem berühmten Poeten und Epiker folgte keiner stringenten Entwicklungslinie, sondern sie stellte sich in den unterschiedlich
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