A Passage to India
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E.M. Forster's 1924 political and philosophical masterpiece, 'A Passage to India', is among the greatest novels of the twentieth century. The book mirrors the troubled politics of colonialism and questions whether a friendship between a British person and an Indian would have been possible in those prejudiced times. Adela Quested and her fellow British travelers, set to experience the 'real' India, develop a friendship with the suave Dr. Aziz. A mysterious incident occurs while they are exploring the Marabar Caves, and the trip results in a shocking accusation on the well-respected doctor that throws Chandrapore into a fever of racial tension and results in a devastating series of events, revealing how deeply the bigotry has taken root. A powerful depiction of a society in the grasp of imperialism, 'A Passage to India' portraits the future of individuals caught between the major political and cultural conflicts of the modern world.
Forster, E. M.: - Edward Morgan Forster, generally published as E.M. Forster, was an novelist, essayist, and short story writer. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. His humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: ""Only connect"". He had five novels published in his lifetime, achieving his greatest success with A Passage to India (1924) which takes as its subject the relationship between East and West, seen through the lens of India in the later days of the British Raj. Forster's views as a secular humanist are at the heart of his work, which often depicts the pursuit of personal connections in spite of the restrictions of contemporary society. He is noted for his use of symbolism as a technique in his novels, and he has been criticised for his attachment to mysticism. His other works include Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908) and Maurice (1971), his posthumously published novel which tells of the coming of age of an explicitly gay male character.
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