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Adaptation in Contemporary Theatre: Performing Literature

by Frances Babbage
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Current price ₹4,467.00
Original price ₹4,549.00
Original price ₹4,549.00
Original price ₹4,549.00
(-2%)
₹4,467.00
Current price ₹4,467.00

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Book cover type: Paperback
  • ISBN13: 9781472531421
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Methuen Publishing
  • Publisher Imprint: Methuen Publishing
  • Publication Date:
  • Pages: 280
  • Original Price: GBP 34.99
  • Language: English
  • Edition: N/A
  • Item Weight: 327 grams
  • BISAC Subject(s): Theater / History & Criticism and General

Why are so many theatre productions adaptations of one kind of another? Why do contemporary practitioners turn so frequently to non-dramatic texts for inspiration? This study explores the fascination of novels, short stories, children's books and autobiographies for theatre makers and examines what 'becomes' of such texts when these are filtered into contemporary practice that includes physical theatre, multimedia performance, puppetry, immersive and site-specific performance, and live art.

Through its prologue and substantial first chapter, Adaptation in Contemporary Theatre sets out a series of fresh critical perspectives on the theory of adaptation in theatre-making. Subsequent chapters are devoted to the various literary sources for adaptation, with each chapter examining the characteristic features, restrictions and potency presented by the source material, before tracing the ways that they are played out in recent performance projects.

Babbage, Frances: - Frances Babbage is Reader in Theatre and Performance at the University of Sheffield, UK. She has published widely on performance, adaptation and rewriting and is the author of Re-Visioning Myth: Modern and Contemporary Drama by Women (Manchester University Press, 2011) and Augusto Boal (Routledge Performance Practitioners, 2004).

Brater, Enoch: -

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature, Professor of English and Theater at the University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller.

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature, Professor of English and Theater at the University of Michigan. He is series editor of Methuen Drama's Arthur Miller scholarly editions, and with Mark Taylor-Batty of Methuen Drama's Engage series. He has written extensively on the work of Samuel Beckett and Arthur Miller.

Taylor-Batty, Mark: - Mark Taylor-Batty is Associate Professor of Theatre Studies and Deputy Head of School in the School of English at the University of Leeds, UK. His previous publications include The Theatre of Harold Pinter (Bloomsbury, 2014), About Pinter: The Playwright and the Work (Faber and Faber, 2005), Roger Blin: Collaborations and Methodologies (Peter Lang, 2007) and, he co-authored with his wife, Juliette Taylor-Batty, Samuel Beckett's Waiting for Godot (Continuum, 2009).

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