Adornos Ästhetik - Die gebrochene Erhabenheit: Ästhetik des Leidens?
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Studienarbeit aus dem Jahr 2010 im Fachbereich Philosophie - Praktische (Ethik, sthetik, Kultur, Natur, Recht, ...), Note: 1,3, Universit t Erfurt, Sprache: Deutsch, Abstract: Die sthetische Theorie - Adornos fragmentarisches, eigentliches Hauptwerk - beschreibt einen Paradigmewechsel in der Kunstphilosophie. Dabei wechselt auch der K nstler wieder in den Mittelpunkt. sthetik ist vielmehr Erhabenheit; als sinnlicher Genuss und Konsum. Macht, Totalit t und der Verlust dessen spielen eine wichtige Rolle und zeigen auf kritische Weise, Strukturen unsere modernen, als auch fr heren Gesellschaft. Durch den Zugang zur Kunst, ber einen gesellschaftskritischen Weg, wird auch die Gesellschaft durch die Kunst wieder st rker thematisiert, genau wie der schmale Grad zwischen Kunst und "Kitsch". Doch wie schaut es dadurch mit der Stellunf des K nstlers aus? Und was bedeutet dies f r die (moderne) Kunst und Kunstgeschichte? Adornos Werk zeigt auf, was Kunst seiner Meinung heutezutage (noch) ist und wie sich darin unsere moderene Gesellschaft wiederspiegelt. Nebenbei revolutioniert und dramatisiert er unsere Vorstellungen von Kunst: Sch nheit wird zum "Leiden"
Parszyk, Paul(Pawel), geb. in Gdingen (Polen), 1988. Zentral Abitur an der Hannah-Arendt Gesamtschule in Soest(Leistungskurse Englisch und Kunst, 2007. Studium der Literaturwissenschaft und Philosophie an der Universität Erfurt: Bachelor, (Bachelorarbeit zum Thema Kannibalismus und Medien), 2012. Derzeit: Studium der Philosophie an der Universität Erfurt im Masterprogramm (Sprache - Wissen - Handlung). Masterarbeit zum Thema Medienphilosophie und Kultur. Organisierung und Haltung eines "Selbstorganisierten Lehrveranstaltung" zum Thema "Das Apollinische und das Dionysische bei Nietzsche" an der Universität Erfurt, 2013.
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