Anne Frank im Spielfilm: Die dramaturgische Rezeption ihrer Tagebuchaufzeichnungen
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Masterarbeit aus dem Jahr 2012 im Fachbereich Filmwissenschaft, Note: 1,7, Universität der Bundeswehr München, Neubiberg (Institut für Ethik), Sprache: Deutsch, Abstract: Die Forschungsarbeit legt die wesentlichen medieneth. und filmanalyt. Grundlagen dar und untersucht mittels dieser die dramaturg. Aufarbeitung der Tagebuchaufzeichnungen der Anne Frank anhand der Historienfilme "The Diary of Anne Frank" (1959) und "Anne Frank: The Whole Story" (2001). In diesem Zusammenhang werden die Spielfilme einer Produkt- sowie Rezeptionsanalyse unterzogen. Dabei stellt sich der Anspruch beider auf die Darstellung vergangener Realität heraus, jedoch kann einzig "Anne Frank: The Whole Story" einen Vergleich mit der hist. Vorlage bestehen. Im Rahmen einer komparatist. Analyse zeigt sich, dass "The Diary of Anne Frank" von filmischer Konstruktion gezeichnet ist. Demnach kann lediglich der Film von 2001 aufgrund seiner historischen Faktizität und seinem erinnerungsbildenden Wirkungspotential in der heutigen Zeit als Erinnerungsfilm charakterisiert werden. Zudem verdeutlicht sich, dass beide Spielfilme von Werten und Normen ihrer Entstehungszeit gezeichnet sind und somit die Figur der Anne Frank unterschiedlich darstellen. Aufgrund der festgestellten Diskrepanz zwischen Konstruktion und Faktizität in Historienfilmen werden schlie lich Leitlinien für die medieneth. Verantwortungsträger der Produktion und Rezeption im Umgang mit Geschichts- und Kulturbilder prägenden Filmen entworfen. This research outlines the most important media ethical and film analytical basics and examines the dramaturgical processing of Anne Frank s diary on the historical films "The Diary of Anne Frank" (1959) and "Anne Frank: The Whole Story" (2001). In this context, the feature films are subjected to a film analysis as well as an analysis of reception. It turns out that both films claim to be a representation of past reality; however, just "Anne Frank: The Whole Story" withstands a comparison with the his
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