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Becoming Fiction: Reassessing Atheism in Duerrenmatt's «Stoffe»

by Virginia L. Lewis , Edward T. Larkin , Hugo Walter
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Current price ₹9,502.00
Original price ₹10,785.00
Original price ₹10,785.00
Original price ₹10,785.00
(-12%)
₹9,502.00
Current price ₹9,502.00

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Book cover type: Hardcover
  • ISBN13: 9781433135262
  • Binding: Hardcover
  • Subject: N/A
  • Publisher: Peter Lang Inc., International Academic Publi
  • Publisher Imprint: Peter Lang Inc., International Academic Publi
  • Publication Date:
  • Pages: 288
  • Original Price: GBP 85.25
  • Language: English
  • Edition: New ed
  • Item Weight: 2019 grams
  • BISAC Subject(s): European / General

Becoming Fiction: Reassessing Atheism in D�rrenmatt's Stoffe sets forth a clarification of the importance of Friedrich D�rrenmatt, modern Swiss dramatist, essayist, novelist and self-proclaimed atheist (1921-1990), and offers new insights into the ways in which his father's vocation as a Protestant minister, along with D�rrenmatt's own decision as a young man to pursue a career in writing rather than religion, shaped his world view and, in particular, made necessary a final, desperate attempt to fictionally recast his own life through revisions and amplifications of many of his earlier works when he created his final prose volume, Stoffe. D�rrenmatt devoted immense energy in his writings to wrestling with his father's God as a way of seeking self-identity. That perceived loss of his father's esteem became the motor behind his works. After earlier successes, the icy reception of his most ambitious play, Der Mitmacher, in 1976, left the author in such a frustrated state of disappointment that he reached a point of linguistic breakdown. This book contends that D�rrenmatt's loss of voice forced the author to a new kind of writing: a 're-turn' home. Becoming Fiction explores the damage caused by D�rrenmatt's inability to express his most central beliefs through the outdated, deceptive modes of linguistic thought and tradition. Consequently, the book argues, at the point of that breakdown of rigid linguistic and theological concepts, a space was forced open, and the Stoffe reveal a Divine presence.

Olivia G. Gabor-Peirce is Associate Professor of German at Western Michigan University. She received her Ph.D. from the University of Michigan with a specialization in modern German drama. Her interests are modern German theater, modern German Swiss literature, and contemporary German fiction. Her previous book, The Stage as 'Der Spielraum Gottes' (2006) deals with the representation of God on the stage in twentieth century German theater. She has also published on Friedrich Dürrenmatt and African theater. Dr. Gabor-Peirce has been teaching all levels of literature and language at Western Michigan University since 2002.

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