Cabaret
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Where did cabaret come from? What has it got to do with pre-war Berlin, decadent society and Nazis? How does it turn into media cabaret and the sisterhood of sleaze? Is cabaret a primary vehicle for exploring the range of sexual practices and alternative sexual identities?
In this new book William Grange brings into one place for the first time the range of practices now associated with the form of cabaret. Beginning with its origins in speciality German theatres and the development both of the sheet music industry and disc recordings, Grange tracks the form through into its golden age in the 1920s and beyond. The book's three sections deal first with the emergence of Berlin as the 'German Chicago', where cabaret flourished in the midst of post-war political turmoil. The abolition of censorship allowed nude dancing and sexually explicit songs and routines. It also saw the introduction of kick-line dancing and black performers.Grange, William: - William Grange is Professor of Theatre and Film at the University of Nebraska, USA. He is the author of several books and dozens of essays, book chapters, journal articles, reviews, and encyclopedia entries. His teaching and research awards include a Guest Professorship at the University of Heidelberg in Germany, the Distinguished Chair in Humanities at the University of Vienna, and a Fulbright Professorship at the University of Cologne.
Shepherd, Simon: - Simon Shepherd is Fellow of the British Academy and Professor Emeritus of Theatre at The Central School of Speech and Drama, London, UK.
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