Cartas Desde Mi Celda - Cartas Literarias a Una Mujer / Letters from My Cell -Literary Letters to a Woman
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Un volumen que reúne las dos obras en prosa del gran poeta romántico español.
El presente volumen reúne Cartas literarias a una mujer y Cartas desde mi celda, que Gustavo Adolfo Bécquer publicó en el periódico El Contemporáneo entre 1860 y 1864. Cartas literarias a una mujer, formada por cuatro epístolas, plantea un diálogo con un figura femenina imaginada sobre la importancia de la poesía. A pesar de su brevedad, es una obra fundamental del corpus de Bécquer que acerca al lector a su pensamiento estético. Por su parte, Cartas desde mi celda es una colección epistolar que busca la esencia del romanticismo, escrita a lo largo de los meses que Bécquer y su hermano pasaron en el monasterio de Veruela en Zaragoza. ENGLISH DESCRIPTION A volume that brings together the two works of prose by the great Spanish romance poet. This volume brings together Literary Letters to a Woman and Letters from My Cell, which Gustavo Adolfo Bécquer published in the El Contemporáneo newspaper between 1860 and 1864. Literary Letters to a Woman, made up of four letters, presents a dialogue with an imagined female figure about the importance of poetry. Despite its conciseness, it is a fundamental piece in Bécquer's body of work that brings the reader closer to his aesthetic thinking. For its part, Letters from My Cell is a collection of letters that seeks the essence of romanticism, written over the months that Bécquer and his brother spent in the Veruela Abbey in Zaragoza.Gustavo Adolfo Bécquer, cuyo verdadero nombre era Gustavo Adolfo Domínguez Bastida, se trasladó de Sevilla, donde nació en 1836, a Madrid para dedicarse a la literatura. Padeció tuberculosis y vivió en la penuria económica hasta que le nombraron censor de novelas y director literario de La ilustración de Madrid. Entre sus obras en prosa destacan textos como Cartas desde mi celda y Cartas literarias a una mujer, escritas en el monasterio de Veruela. Sin embargo, la cúspide de su producción se da con sus Rimas y sus Leyendas, de las que se desprende el lúgubre y sublime espíritu posromántico. Murió en Madrid, en 1870, dejando tras de sí una estela literaria cuya influencia no tiene parangón en la historia de la literatura en lengua castellana.
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